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1.
Different Poesy Attitudes of "Anthologies" to "3rd Generation Poems";
“选本”对“第三代诗歌”的不同诗学态度
2.
The Third Stage of Poetry Movement and the Routine Inclination of the Poetry;
第三代诗歌运动及其诗的日常化倾向
3.
On the Subject Features of Transformation From Obscure Poem to Third Generation Poem;
论“朦胧诗”向“第三代诗歌”的主体转型特征
4.
Extension and Variation of the Modernity--the Concept of the Third Generation Poetry;
现代性的延伸与变异——“第三代诗歌”观念论
5.
Death Expression in the Third Generation Poem under the Influence of Confucianism,Taoism and Buddhism
儒道释视野中的第三代诗歌的死亡书写
6.
A Sociological Survey of the Popularization in Sichuan of Third-generation Poems
成都内外——对四川第三代诗歌传播的社会学考察
7.
The carnival of the third poetry genres marked a new stage of modern new poetry.
第三代诗歌的文体狂欢标志著现代新诗发展到了一个新的阶段。
8.
“No-genres Writing” and Genres Carnival--On The Deconstruction and Construction of The Third Poetry Genres;
“无体裁写作”与文体狂欢——论第三代诗歌文体的解构与建构
9.
On the other hand, the third generation poetry inherits the spirit of rebellion from the misty poetry, but the value is led to play and nothingness.
第三代诗歌尽管继承了朦胧诗的叛逆精神 ,但在价值取向上却大多走向了游戏与虚无
10.
The "Seventeen-year" and the "Third Generation": Two Extremes of Modern Poetry Writing;
“十七年”与“第三代”:当代诗歌写作的两极
11.
The Inspiration of "The Third Generation" Strenched from the Gap on Personalized Poem Writting in 1990s;
在断裂处延伸——“第三代”诗歌对九十年代个人化诗歌创作的启示
12.
Whisking Years: the Third Generation of Political Lyric Poetry ─and the "Rational Interests" in Chinese Contemporary Poetry Writing;
《拂拭岁月》:政治抒情诗的第三代──兼及中国当代诗歌创作中的“理趣”
13.
The Beauty of Non-poetry--A review on Yu-jian s No.6 on Shang-Yi Street and the Third-Generation Poetry;
“非诗”之美——于坚的《尚义街六号》评析兼论“第三代”诗歌
14.
The Book of songs was the first anthology of poetry in ancient China.
《诗经》是中国古代第一部诗歌总集。
15.
Rereading the First Monograph on the Philology of Qing Poems - Qing Shi Ji Shi Chu Bian;
重读第一部清代诗歌文献学著作——《清诗纪事初编》
16.
A Modernist School of Poetry Holding "Image First" in High Esteem--A Commentary on Russian Imagist Poetry;
“形象第一”的现代主义诗派——试论俄国意象派诗歌
17.
The second division of the triad of a Pindaric ode, having the same stanza form as the strophe.
第二诗节平德尔颂歌三和音中的第二部分,与第一诗节形式相同
18.
The Influence of Taoism on the Love Poems by Three Taoist Nuns in the Tang Dynasty;
道教对唐代三大女冠爱情诗歌的影响