1.
Genuine Poetry Among People--Theory of the Origin of Ballads;
“真诗在民间”——民歌理论发生初探
2.
On the Aesthetic Characteristic of the Theory of Drama-opera Integration of Chinese National Opera;
论中国民族歌剧“戏歌综合”理论的美学特征
3.
A Study of Impact of Geographical Factors upon Yugur Ethnic Group Folksongs;
试论地理学因素对裕固族民歌的影响
4.
The Psychological Narrative Function of Folksongs in Lühua Tree;
论《绿化树》中民歌的心理叙事功能
5.
The Genuine Poetry Being Active in the Folk World;
从冯梦龙编纂民歌时调看明代“民间真诗”理论
6.
The Four Seasons, an Inner Mongolian Folksong: Theoretical Basis and Technical Characteristics of Harmony Arrangement;
内蒙民歌《四季》和声编配的理论基础与技术特征
7.
Post-colonial Theory Field of Chinese Opera Development Research
后殖民主义理论视野下的中国歌剧发展研究
8.
Tan Ge: Watcher of National Spirit --On Tan Ge s Novels;
谈歌:民族精神的守望者——谈歌小说论
9.
On the Theory of Neo-poem and Its Composition of Zhou Zuo-ren as Well as the Relation of His Research for Folk Songs;
论周作人的新诗理论与创作——兼谈与其民歌研究之关系
10.
The Universe,Life and Poetry: A Review of Zong Baihua s New-Poetry Theory;
宇宙·生命·诗歌——论宗白华的诗歌理论
11.
Mao Zedong s Poetics Thought andIt s Theoretical Composition;
在古典与民歌基础上发展新诗——毛泽东的诗学思想及其理论构成
12.
From Gannan Folk Songs to Shanbei Yangge --Discussion of the Internal Regular Pattern of Modality Construction and Significance of the Contemporary Era about Literature and Art of Soviet Area-Yan'an Period
从赣南民歌到陕北秧歌——论苏区-延安文艺形态建构的内在理路及其当代意义
13.
On Li Jin Wen s Ci;
隐者的情怀 遗民的哀歌 论李俊民词
14.
Basic Poetry Theory and Development of the Chinese Poetry;
诗歌基本理论问题与我国诗歌的发展
15.
A Brief Account to the Influence of Western Operas on Modern Chinese Operas;
浅论西洋歌剧对中国现代民族歌剧的影响
16.
Cultural Interpretation of the Folk Songs of Kuche City;
库车民歌的文化学阐释——兼论龟兹歌舞与多浪歌舞的差异互补
17.
Wuzhong s tie of emotion -on Xu Zhen-qing s poetic creation and theory;
吴中“情”结——试论徐祯卿的诗歌创作及其诗歌理论
18.
Metafunctional Analysis of the Lyrics "Dragon Boat Melody"
土家族民歌《龙船调》歌词的纯理功能分析