1.
"Feng-Song-Han-Yong"and the theory of "Xie-Yun";
“讽诵涵泳”与“叶韵理论”——论朱熹《诗经》诠释学美学诠释方式之二
2.
On Phonology Transformation in"Guang Yun"and Phonology at Second and Third Grade in"Yun Jin;
论《广韵》变韵与《韵镜》二、三等韵之关系
3.
The Inner Rhythm in the History of New Poem Phonetic Format Theory;
新诗语音形式理论史上的“内在韵律论”
4.
Syllables and Rhyme of Standard Chinese and theoretical construction of traditional opera in late Ming Dynasty;
《中原音韵》与晚明曲学的理论建构
5.
Classical Phonological Diagram and Musical Composition of Kunqu;
等韵图在昆曲度曲理论中的运用探析
6.
Discuss the rules or the pronunciation of Chinese “rhyme of er”;
论普通话“儿化韵”的发音原理及规则
7.
Theoretical Features of Hu Ying ling s “On Poetry”;
格调 风神 神韵——胡应麟《诗薮》的理论特色
8.
The Emargence of the sound“un” and the Study of its Theory in Yongsheng Dialect;
永胜方言中uen韵的产生及理论探讨
9.
A Study of Rhyming in Poetry and Prose in the Liang Dynasty;
梁代诗文阳声韵入声韵用韵数理分析
10.
The Theory Inquiry of Concert Treatment of Pianolude "Er Quan Ying Yue" "Chinese Rhyme"
钢琴曲《二泉映月》“中国韵味”演奏处理的理论探究
11.
On Walter Benjamin s Aura Theory and Aesthetic Anthropology Thought;
瓦尔特·本雅明的灵韵理论与其审美人类学思想
12.
A Research on the Theory and Practice of Establishing Creative Meter Sport Teaching for Children;
构建创意幼儿韵律体育教学的理论与实践研究
13.
Preliminaries to the Application of Contemporary Phonological Theories to the Studies of Chinese Phonology;
当代音系理论在汉语音韵研究中的应用初探
14.
The three aspects of writing theory of "Shen Yun Poetry Theory";
王士祯“神韵说”中文学创作理论的三个层面
15.
Why Rhyme is Needed in the Translation of the Book of Poetry--A Comparative Study of the Renderings of We Gather Fern,the Book of Odes;
略论《诗经》英译的韵脚处理——《小雅·采薇》译文的启示
16.
Poetic Mode and Rhyme and Light--the Evolution of the Discourse of the Artistic Theory of Poetry in China and India;
《诗式》和《韵光》——中、印诗歌艺术理论话语的嬗变
17.
DifferentVowels in the Xieyin of Fengyayi and its Comparison with Zhongyuan Yinyun;
《风雅翼》叶音今音韵系及其与《中原音韵》的比较
18.
An Examination of Huang Kan s View of Phonological "Interactive Variation" in His Theory of Chinese Classic Phonology --A Co-discussion on the "Conditions" for Ancient and Contemporary Phonological Variation;
黄侃先生古本音说中的声韵“相挟而变”理论——兼论古今音变的“条件”