1.
The Impact of Literati lyric on Nanbeiqu Melody in Ming and Qing Dynasty;
论明清时期文人曲词对南北曲曲牌定腔的影响
2.
Though this cause the prosperity of play book, it result in the disintegration of Nanbeiqu melody.
这虽然促成了戏曲文学的极度繁荣，但同时也产生了另一后果：加速了曲牌定腔的消解。
3.
Research on Relation between Tunes Name and Tune of Two Gaoqiang Tunes of Jiangxi Opera;
赣剧两路高腔曲牌和腔调关系的研究
4.
A Research on the Standardized Form of Tune Name of Jiangxi Yiyang Tune (Zhuyunfei);
论弋阳腔〔驻云飞〕正体曲牌音乐特征
5.
The Musical Meaning of the Music for Voice of Qu Pai in Tang Xianzu s "the Opera of Handan;
汤显祖《邯郸记》曲牌唱腔音乐意义
6.
The "Negation of Negation" of the Definition of Music form in Chinese Opera Singing;
中国戏曲唱腔曲体界定的“否定之否定”
7.
The singing style in Chinese opera and story-telling is the backbone of Chinese music.
本文则首先论曲牌体与板腔体之名义、制与异同。
8.
for the banhu by Zhang Changcheng (Elder Brother Is Home From the Red army), Guo Futuan (Shaanxi Opera Paizi Music), and Bai Jie and others (Lantern Festival);
板胡曲有张长城《红军哥哥回来了》、郭富团《秦腔牌子曲》、白洁等《灯节》，
9.
Tanci and dagu no longer used the qu tunes format of linked sets, but one consisting of accented beats.
弹词和大鼓的音乐已不再采用曲牌联套的结构，而用板腔体式，
10.
These compositions draw on qupai and folk tunes from northern Shanxi, bringing to the fore the vigorous, expansive and ardent "Northwest sound".
这些取材于秦腔曲牌和陕北民间音调的独奏曲，塑造了西北人民豪放热烈的宽广胸怀。
11.
Lastly, the article will discuss the differences between Qu Fai Ti and Ban Qiang Ti and their application and development in Chinese opera.
最后探究曲牌体与板腔体的异同和在戏曲中的运用情形与发展特色。
12.
The form of the lines and their number followed a basic rule in all qu tunes,
句型句数都随所有的曲牌而有一个基本的规定。
13.
The trump or no-trump declared.
王牌叫定，非王牌叫定
14.
Detect of vitreous drug concentration following injection of triamcinolone acetonide via posterior sub-Tenon
后Tenon囊下注射曲安奈德后玻璃体腔内药物质量浓度的测定
15.
The Contribution Of Pi-Huang Tune To Developing The Traditional Chinese Opera;
论皮黄腔在戏曲声腔发展史中的贡献
16.
The Relationships Between Danxianr and the Origins of Changyang South Opera;
单弦牌子曲与长阳南曲渊源关系探讨
17.
The Ci - poem & Qu - poem Originating from Ancient Western China;
源自西域乐曲的词牌和曲调举隅(下)
18.
The Ci - poem & Qu - poem Origin from Ancient Western China;
源自西域乐曲的词牌和曲调举隅(上)