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1.
From WenXinDiaoLong ShiZhuan to Understand Chinese Traditional History and its Reform;
《文心雕龙·史传》看中国传统史学及其变革
2.
On Liu Xie s Historical Compilation Science;
刘勰历史编纂学思想刍论——《文心雕龙·史传》读后
3.
Form Wen Xin Diao Long to Shi Tong--A briefly comment on succession and development about theory of historical criticism
《文心雕龙·史传》到《史通》——简评刘知几对刘勰史学批评理论的继承和发展
4.
Historical Value of Shizhuan in Wen Xin Diao Long;
《文心雕龙》之《史传》篇的史论价值
5.
The Achievements and Shortage of “The Literary Mind and The Carving of Dragons” from “The History and Historical Introduction”;
从《史传》篇看《文心雕龙》文体论的得失
6.
The Differentiating and Reading of Wen Xin Diao Long-Shi Zhuan;
文心雕龙史传篇辨读——刘勰对史传编修的理论贡献
7.
A Unity of External Comments and Internal History --On the literary history and Carving of the Literary D ragon;
论外史内 史论合一—《文心雕龙》与文学史刍论
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Acculturation and Evolution Artistic Historical Philosophy of Wenxin Diaolong;
“会通”与“适变”——《文心雕龙》的艺术历史哲学
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On Yizhuan s Effect on Wen-xin-diao-long;
试论《易传》对《文心雕龙》的影响
10.
The Analysis of "Wen Xin Diao Long" in Propagation and Influence from the Era of Northern and Southern Dynasties
《文心雕龙》在南北朝时期的传播与影响
11.
Liu Xie s Writing of History of Literature;
论刘勰的文学史书写——以《文心雕龙·时序》为中心
12.
Distinguishing Between Historical Fashion and Humanism Value--A New Interpretation about The Article of Ti Xing;
历史风尚与人文价值之辨——《文心雕龙·体性》再解读
13.
The "气(Qi)" Theory in Literary Reviews and its Influences and Significance in the History of Literary Theory;
《文心雕龙》的“气”论及其在文论史上的影响和意义
14.
False Historical Facts and Illogical Theoretical Analysis--Discussion on Confidant in Wenxindiaolong;
引史失实 论理不周——《文心雕龙·知音篇》商榷
15.
Milestone in the Study of Wenxin Diaolong--On Fan Wenlan s Notes to Wenxin Diaolong;
《文心雕龙》研究的里程碑——读范文澜《文心雕龙注》
16.
Demonstrating Shen, Wu, Qing and Ci in Wen Xin Diao Long;
论《文心雕龙》的“神”、“物”、“情”、“辞”
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Change of Writing Style in Association with Changes of Times--An Historical Insight into Wenxindiaolong;
文变染乎世情 兴废系乎时序——《文心雕龙·时序》的文学史论认识
18.
ON THE CRITICISM OF CHU CI (SONG OF CHU) IN WEN XIN DIAO LONG AND ITS SIGNIFICANCE IN LITERARY HISTORY;
取熔经意 联藻日月——论《文心雕龙》的《楚辞》批评及其文学史意义