1.
Text and Texture: On the Style and nature of Text and Language in Chinese Poetics;
“文”与“质”:中国诗学的文辞体性论
2.
Summary to the Artcles on Characteristic of Style in Songs of Chu 1995-2004;
1995-2004年“楚辞体”文体特性研究论文述要
3.
Discussion on the Spread and Reception of Chu-Ci During the Age of the Wei-Jin Dynasties;
论楚辞文体在魏晋六朝的传播与接受
4.
The Course Structure of Culture Rhetoric and Its Theory System;
文化修辞学的学科构建及其理论体系
5.
The Stylistical Significance of Chuci-With the Discussion of Chuci and the Several Main Chinese Ancient Verses;
楚辞的文体学意义──兼论楚辞与几种主要的中国古代韵文
6.
Naming In Literature - Historical Rhetoric Of Critical Behavior;
“文学命名”论——批评行为的“史性”修辞
7.
Subjectivity, Classical Explanation and Rhetorical Criticism--on the use of the traditional literary theory of contemporary literary;
主体性、经典阐释与修辞批评——浅谈当代文论建设中的传统文论资源利用
8.
Speech,Culture and Incarnation--the Paradox Between Literature and Publicness;
言辞、文化然后道成肉身——文学与公共性的悖论
9.
On the Complex Similitude and the Ad Hoc Similitude in Liang Qichao’s “New Styles”;
论梁启超“新文体”的复式比喻及专喻修辞法
10.
On the rhetorical devices used in advertising English from the stylistic perspective;
论文体视角中英语企业广告修辞手段的运用
11.
Images of Fragrant Flowers and Plants and Their Literary Tension in QU Yuan’s Poetry;
试论屈辞的香草意象体系及其文学张力
12.
"Expressive Ways and Selections of Style": a Traditional Literary Commentary that Deserves Inheriting and Developing;
“辞尚体要”:一个值得承扬的传统文论思想
13.
On the Orientation of Sao-style Literary Study in Contemporary Study of Chu-ci;
论骚体文学研究在当代楚辞学中的定位
14.
Another discussion on "humanism" in Chinese courses--simultaneously evaluating paraphrase mistakes about "humanism" in The New Targets of Chinese Course and Ci Hai;
再论语文课程的“人文性”——兼评语文新课标及《辞海》等对“人文”释义之误
15.
Theoretical Intention of Emphasis on Selection of Ci and Fu inCollection of Classical Chinese Proses;
《古文辞类纂》重视辞赋选录的理论指归
16.
Demonstrating Shen, Wu, Qing and Ci in Wen Xin Diao Long;
论《文心雕龙》的“神”、“物”、“情”、“辞”
17.
Sght to be typical of newspapers, containing many cliches
新闻文体（多陈辞套语的）
18.
Formation of "Fu" System and its Prose Trend and the Relation with Aesthetic Concept of Western Han Literature;
论汉大赋体制的形成与辞赋散文化及西汉文学审美观念的关系