1.
Ancient Chinese Paintings on the Map of Landscape Architecture;
中国古代绘画中的建筑景观图谱研究
2.
Theoretical source of advocating artists’moral character in traditional Chinese painting
中国古代绘画崇尚人品的思想渊源
3.
Origin for Imitation as A Way of Creation;
仿作为中国古代绘画创作方式的成因
4.
Forms and Strokes of Traditional Chinese Painting:On Realistic Painting and Freehand Brushwork;
中国古代绘画的形和笔——写实和写意谈
5.
The Evolution of the Concept of "Spirit-resonance Life-movement" In the Ancient Chinese Painting;
论中国古代绘画"气韵生动"的演变
6.
Fully Considerations about History of Ancient Chinese Painting Problems Periods
对中国古代绘画史分期问题的再研究
7.
The Ancient Music and Rhythm of Gu qin in the Chinese Paintings--On the Literati and gu qin in the Ancient Chinese Paintings
国画含琴 古乐流韵——论中国古代绘画中的文人与琴
8.
Thought of Confucianism and Taoism and the Aesthetic Sense of Chinese Ancient Painting Art
儒道思想与中国古代绘画艺术的审美观
9.
The Effect of Confucianism、Buddhism and Taoism on Chinese Painting Color;
儒、佛、道思想对中国古代绘画色彩的影响
10.
The Essential Feature of "Fang" as an Ancient Way of Chinese Painting;
“仿”作为中国古代绘画创作方式的本质特性
11.
A Model of the Integration Art and Science--Mathematics in Ancient Chinese Painting;
艺术与科学相结合的典苑——中国古代绘画中的数学方法
12.
"Conversion" and "Extension" -Application of the Fengshui Term "Longmai" in Ancient Chinese Painting;
“转化”与“延伸”——风水术语“龙脉”在中国古代绘画领域的应用
13.
They played a transitional role between classical and modern Chinese painting.
海派画家群是中国古典绘画向现代绘画过渡中的一个重要环节。
14.
Briefly Analyse of the Artistic Characteristic for the Ancient Chinese Sculptures Painting;
浅析中国古代雕塑的绘画性艺术特点
15.
On Ancient Chinese "Secular Painting" from the Urban Development
从城市的发展看中国古代“世俗绘画”
16.
An Analysis of the Relations between Ancient Japanese Painting and Chinese Culture;
浅析日本古代绘画的发展与中国古代文化
17.
There is no War in the Art--Analysis of the Reason Why There is a few War Paintings in China before Ming and Qing Dynasty
绘画无“战事”——中国古代战争画稀少原因之浅析
18.
“Highlighting”--On the arts of Zhang Sengyao,the ancient Chinese artist;
“画龙点睛”——浅析中国古代画家张僧繇的绘画艺术成就