1.
Chinese Bamboo Art from Amateurism to Professionalism;
从民间到专业化改编与创作中的竹笛艺术
2.
On the main features of the Olinese bamboo flute s solo art development in the 20th century;
论20世纪中国竹笛独奏艺术发展的主要特征
3.
Handmade bamboo headjoint,the raw material is Jiannan bamboo, working specially according to flute headjoint data and technical requirement.
竹制手工笛头，用江南丝竹为原料竹管，结合长笛笛头的数据和技术要求精制而成。
4.
Magically artistic change from "Bamboo from eyes" to "Bamboo from hands"--The enjoying of Black Bamboo Paint;
从“眼前之竹”到“手中之竹”的艺术幻化——《墨竹图》欣赏
5.
The Artistic Charm in Mozart's Opera Magic Flute
浅析莫扎特歌剧《魔笛》的艺术魅力
6.
On the Different and Similar Features in the Performance of Bamboo Flute in Kun Qu and Chinese Folk Music;
论昆曲竹笛与民乐竹笛演奏特点的异与同
7.
Reed Flute Cave, Seven-Star Cave and Chuanshan Hill are honored as "palaces of Nature's art".
芦笛岩、七星岩、穿山被誉为“大自然艺术之宫”。
8.
The stylet and artistic achievements of bamboo carving by Dens Wei of the Qing Dynasty
清代邓渭竹刻作品风格与艺术成就
9.
Ink Thinking of Artistic Creation from Theory of Zheng Xie s Drawing Bamboo;
以郑燮竹论观艺术创作中的笔墨思维
10.
The Origin of Baren’s Bamboo Song and its Artistic Characteristic;
巴人竹枝词源流及其艺术特色(上)
11.
The Origin of BaRen’s Bamboo Song and its Artistic Characteristic [Ⅱ];
巴人竹枝词源流及其艺术特色(下)
12.
The artistic expression the bamboo hammers play in the music of dulcimer;
谈琴竹在扬琴音乐中的艺术表现作用
13.
at that time, the orchestra consisted of zithers (qin, se and zheng), lutes (pipa), whistles(di), pan pipes (sheng) and flute (chi).
丝竹类伴奏乐器有琴、瑟、筝、琵琶、笛、笙、觳，
14.
The Location Variation of Fengmen in the Performance of Bamboo Flute
竹笛演奏中的风门大小位置变化规律
15.
Neo-classical art held dear nature, classicism and imitation.
新古典主义艺术崇尚自然、古典、模仿,其哲学根源是笛卡尔主义哲学。
16.
Though not so soft, at the hands of a real artist, it can sound very melodious and expressive too.
虽然笛子声音没那么柔，可经真正的艺术家一吹，也是委婉动人。
17.
During the blossoming of the art of opera in the late Ming and early Qing dynasties, the dizi was adopted as an accompanying instrument for various kinds of stage dramas.
明清之际戏曲艺术蓬勃发展，笛子成为许多剧种的伴奏乐器，
18.
Unique features of Ai Qing s poetry;
芦笛永远在“诗”与“人的世界”里吹响──论艾青诗歌艺术的独特性