1.
Why The Deity Be Affected By Poetry--The Study Of The Poetic Conception And Morphology Of The Temple Odes From Han To Tang Dynasties;
诗成何以感鬼神——汉唐乐志中的诗学观念及郊庙祭歌形态研究
2.
Looking At Music During the Song Dynasty From The Music Monograph on the History of Korean Music of the Tang;
从《高丽史·乐志》"唐乐"看宋代音乐
3.
Research on Annals of Music in Jiutangshu and Xintangshu
《旧唐书》和《新唐书》“乐志”研究
4.
The Study of spreading time of "Tang Yue" in GaoLi SHI from Northern Song Dynasty;
《高丽史·乐志》“唐乐”传入时间考
5.
On Innovation of Han Yu's Stele Script in Terms of the Style Evolution of Han and Tang Dynasty
从汉唐碑志的文体演变看韩愈碑志的正与变
6.
Tang Dynasty Surpassed Six Dynasty of Han and Wei in Epitaph Style
试论唐代碑志对汉魏六朝碑志的发展与超越
7.
A Study into the Epitaph and Funsral Figures of Musicians and Dancers form Madam Cen's Tomb of the Tang Period in Mengjin
孟津唐岑氏夫人墓墓志及伎乐俑研究
8.
On the Cultural Value and Cognition of the Epitaph for Cui Anle of Tang Dynasty;
唐崔安乐墓志的文化价值和认识意义
9.
The New Tang annals: History of Rites and Music recorded that when the Tang Dynasty was at its pinnacle, the number of the Jiyue performers had been tens of thousands.
《新唐书·礼乐志》载:唐朝盛时，乐工舞伎总数竟有数万人。
10.
On the Relation between Hanquof Liaoning Guchuiyue (drum and suona music) and Daqu of the Tang Dynasty;
浅析辽宁鼓乐“汉曲”与唐代大曲的关系
11.
3 Periods of the Court s Music Assimilating Hu - Music in Han - Tong Dynasties;
论汉唐时期宫廷音乐吸收胡乐的三个阶段
12.
A Tang Epitaph and the Marriage Connections between the Hu (Non-Han) and Han Peoples;
《唐张羲之夫人阿史那氏墓志》与胡汉联姻
13.
On the Chinese Text and Value of Meeting Tablet of Tang and Tibet in Qing Dynasty's Local Chorography
清代地方志中的《唐蕃会盟碑》汉文文本及其价值
14.
In the Sui and Tang dynasties, the "Yanyue"(referring generally to all music and dances entertaining banquets) which marked a peak of the Tang Dynasty music and dance culture was mainly performed by Jiyue professionals.
隋唐燕乐(泛指宴享娱乐的歌舞)标志着唐代乐舞文化的高峰，主要就是由乐舞伎人表演的。
15.
By blending with each other, Huyue music and Han Music, namely traditional Chinese music, formed together a unique Tang Dynasty music culture.
胡乐与汉乐水乳交融 ,形成独具特色的唐代音乐文化
16.
such as the Bayu Dance introduced in the Han Dynasty and the Tang Dynasty dance of Emperor Qing Conquering the Battle array.
如汉世之引进巴渝舞，唐代引进秦王破阵乐，
17.
Choices of Stages for Chang an Dance with Accompaniment in Han and Tang Dynasties and the Modern Enlightenment;
汉唐长安乐舞百戏演出场地的选择及其启示
18.
Succession and Advance of Tang Dynasty s Frontier Fortress Poetry to Official Conservatory in Han Dynasty;
唐边塞诗对汉乐府边塞诗的继承和发展