1.
Image Changes of Carrier: from a Degenerate Woman to a New Woman;
从妖妇到新女性——试析嘉莉形象之变迁
2.
A Feminist Reading of Sister Carrie: On the Ambivalence of Dreiser s View of Womanhood;
从嘉莉形象看德莱塞的女性观及其内在矛盾性
3.
Artistic Images of the two urban women;
都市丽人的两个艺术形象——嘉莉与王琦瑶之比较
4.
Image of New Woman Shaped by Theodore Dreiser--Sister Carrie
德莱塞笔下的新女性形象——嘉莉妹妹的个性分析
5.
Abstract: In the history of American literature, Sister Carrie has always been a controversial character.
在美国文学史上,嘉莉妹妹一直是颇具争议的人物形象。
6.
Exploration into an Insatiable Character -- An Analysis of Dreiser’s Portrait of Sister Carrie
永不满足的性格探索——析德莱塞塑造的嘉莉妹妹艺术形象
7.
The Nature of Carrie’s Image of "new woman"--A Feminist Reading of Sister Carrie;
“新女性”形象的实质——从女性主义的角度解读嘉莉妹妹
8.
"Carrie," she called, "Carrie, come back";
“嘉莉！ "她喊，"嘉莉，回来！
9.
"I'll tell you how it goes to-night," said Carrie.
“今晚我会告诉你那里的情形，"嘉莉说。
10.
In the history of American literature, the female image of Sister Carrie created by Theodore Dreiser has always been a controversial character.
在美国文学史上,西奥多·德莱塞创造的嘉莉妹妹一直是一个颇具争议的人物形象。
11.
Contradiction and Solution between the Material Pursuit and the Spiritual Pursuit in the Context of a Consumer Society--Also On Aims' Artistic Value in Carrie Sister
消费语境下物质与精神间的矛盾及化解——兼析《嘉莉妹妹》中艾姆斯形象
12.
"Pretty good," said Carrie.
“很好，"嘉莉说。
13.
"All right," said Carrie.
“好的，"嘉莉说。
14.
He smiled and went lightly away. Carrie was thoroughly impressed.
他微笑着，轻快地走了，给嘉莉留下了深刻的印象。
15.
Carrie had noticed the appearance of gayety and pleasure-seeking in the streets which they were following.
嘉莉注意到沿途那喜庆热闹和寻欢作乐的景象。
16.
Carrie had more imagination than they. She was not used to slang.
嘉莉比她们多一些想象力，她也不习惯讲粗话。
17.
Carrie pondered over this situation as consistently as Hurstwood.
嘉莉就象赫斯渥一般固执地考虑着眼前的局面。
18.
Dreams in the Rocking-chair;
摇椅上的梦想——《嘉莉妹妹》中摇椅的象征意义