1.
On the Civilian Narrative Attitude in Jia Pingwa’s Novels of 1990s
论贾平凹1990年代长篇小说的平民叙事姿态
2.
Narrative Pose and Literary Position--The Urban Peripheral People in New People s Literature;
叙事姿态与文学立场——“新人民性文学”中的都市边缘人
3.
The Opportunity and The Unpleasant Situation in a Neutral Narrative Manner;
“中性”叙事姿态下的机遇与困境——论苏童小说女性形象的塑造
4.
Life narrate: The life attitude and vigorous way out;
生命叙事:生命的姿态与精神的出路
5.
Double Narrative and Reader s Position--A Comparative Study of the Narrative Structure of Human s Fate And Alive;
双层叙事与读者姿态——《一个人的遭遇》与《活着》叙事结构比较研究
6.
The Critic s Posture -On the Narrative Approach of Arthur Danto s Art History;
批评家的姿态——阿瑟·丹托的艺术史叙事方式评析
7.
Two Attitudes of Literature towards Reality--take "bottom narration" as an example;
文学面对现实的两种姿态——以“底层叙事”为例
8.
Narration Identity and Narration Posture in LU Xun s Novel;
鲁迅小说中第一人称的叙述身份与叙述姿态
9.
A New Mode of Narration--The New-historical Novel by LIU Zhen-yun;
新的叙述姿态——刘震云的“新历史”小说
10.
The Narrative Morphology of the Red Mansion and Chinese Historic Narrative Tradition;
《红楼梦》叙事形态与史传叙事传统
11.
A kind of Narrative,Which Makes Readers Feel Vague and Mild--The Narrator s Attitude in Wang Zeng-qi s Novels;
“温”的叙事——论汪曾祺小说的叙事态度
12.
The characteristics of Sartre's ethic narrative and ideological narrative mode
萨特伦理叙事和意识形态叙事的特点
13.
On the identity consciousness and narration posture of Zongpu s novels;
论宗璞短篇小说创作的身份意识与叙述姿态
14.
Now Region,Heroic Posture and Ultimate World--Discussing about the narrate strategy of the "Tibet Dog";
雪域·雄姿·终极世界——试论小说《藏獒》的叙事策略
15.
On Dynamic Narration and Static Narration--Comparison between Balzac and Faulkner;
动态叙事与静态叙事——以巴尔扎克和福克纳为例
16.
On Wang Anyi s Works in 90s;
论90年代王安忆小说的叙述姿态——兼论其“女性化”写作倾向
17.
From the Setting-up of Ideographical Imageries to the Recounting of Affairs:On the Aesthetic Form and Poetic Sense of the Narration in Du Fu s Poetry;
从意象营造到事态叙写——论杜诗叙事的审美形态与诗学意义
18.
Narrative Point-of-View,Narrative Voice and Ideology--Narrative Analysis Based on the Movie Zhufu;
叙述视角、叙述声音与意识形态——以电影《祝福》为个案的叙事学分析