1.
Images of Identity in Harold Pinter s Early Plays;
哈罗德·品特早期剧作中身份的意象
2.
Dominance and Anti-Dominance in Harold Pinter s Early Plays;
品特早期剧作中的控制与反控制主题
3.
Narrow Cage and Breakout;
“狭之笼”与突围——曹禺早期剧作的主线
4.
The Conflict between Soul and Flesh,the Loneliness of Spirit--Research on Tianhan s Play in His Early Days;
灵肉的冲突 精神的孤寂——田汉早期剧作研究
5.
A Never Stopping Roving; The Spiritual Connotation in Tian Han s Early Playwriting;
永不驻足的流浪:田汉早期剧作的精神意蕴
6.
On Reality and Absurdity in Harold Pinter s Early Plays;
论哈罗德·品特早期剧作中的现实主义成分和荒诞性
7.
Projection Anima and Animus--Talk About the Role-making Genre of Masculine Female and Feminine Male in Cao Yu s Early Dramas and Mays;
阿尼玛与阿尼姆斯——论曹禺早期剧作的角色配置模式
8.
Alienation and Rescue--Theme of Character Disposition of Cao yu s Early Plays;
异化与救赎——论曹禺早期剧作人物配置的主题意向
9.
Seeking "The Noah Ark" --eloping s philosophical signification in Cao Yu s early scripts;
寻找诺亚方舟——从"出走"看曹禺早期剧作的哲学意蕴
10.
The Conflict between Brutality and Civilization--On the“Meta-conflict”in Cao Yu s Early Plays;
蛮性与文明的交锋——论曹禺早期剧作的“元冲突”问题
11.
1907-1917:Literator-Scenarists Effect on the Formation of Early Drama;
1907-1917:文人编剧在早期话剧成型过程中的作用
12.
Study of Joyce Carol Oates Early Tragic Artistic View;
欧茨早期悲剧性艺术观及其在作品中的体现
13.
a fashion popular in earlier times; his earlier work reflects the influence of his teacher; Verdi's earliest and most raucous opera.
流行在较早时期的时尚；他早期的作品反映了他老师对他的影响；费迪最早的、最沙哑的歌剧。
14.
A preface or prologue, as to a literary composition, especially an early English play.
前言引言或序幕，如文学作品的前言，尤指早期英国剧作的序幕
15.
Early Modern Drama: The Prologue to the Modernization of Chinese Theatre;
早期话剧:中国戏剧现代转型的序幕
16.
The Song for the Gongmo Kerchief Dance and the Form of the Drama of Chinese Theatre in Their Early Phase;
《巾舞歌辞》与中国早期戏剧的剧本形态
17.
Wuzhuhong was an active participant of creative writing and dramatic acting in the dramasociety on campus in her college years.
早在大学期间，吴朱红就在学生剧社参与创作和演出。
18.
On the Functions and Characteristics of Dialogue Set in Forming the Style of Primitive Play;
论对话装置在早期话剧文体成型中的作用和特点