1.
ON SHEN JING S AND TANG XIAN-ZU S OPERA WRITING THEORIES AND THEIR INFLUENCE;
略论沈、汤的戏曲创作理论及其影响
2.
On the Autobiographical Lyricism of WU Mei-cun s Dramatic Creation;
论吴梅村戏曲创作自叙传式的抒情性
3.
On JIANG Shi-shuan s Theatrical Creation;
崇雅归正——试论蒋士铨的戏曲创作
4.
A great poet's devotion to Kunqu opera--on Wu Weiye's opera writing
大诗人的昆曲情结——论吴伟业的戏曲创作
5.
On Interpretation and Acceptation of Feminine s Dramatic Creation Theories in the Ming and Qing Dynasties--From a Perspective of the Preface and the Postscript to the Drama;
明清女性戏曲创作理论的诠释与接受——以古代戏曲序跋为例
6.
Fable spirit was one of the important characteristics of Chinese ancient opera creation.
寓言精神是中国古代戏曲创作的重要特征之一。
7.
Adhibit Secularity To Elegance--TANG Ying s Drama Between the Convection of the Secular and Elegance Culture;
“引俗入雅”——雅、俗文化对流中的唐英戏曲创作
8.
On Jiang shiquans Dramatic Creation durihg the Huaya Period;
引俗入雅——试论蒋士铨花雅时期的戏曲创作
9.
The Commercial sense in the Creative Theory on LI Yu s Novels and Dramas;
试论李渔小说戏曲创作思想中的商业意识
10.
A Comparison between the Creative Skill of Chinese Classical Fiction and One of the Traditional Opera;
同花而异果——中国古代小说、戏曲创作手法比较
11.
The Formulation of the Theory of Resentment Expressing and its Influence no Traditional Opera Writing of the Ming and Qing Dynasties;
写怨说的生成及其对明清戏曲创作的影响
12.
On Influence of Thoughts of Taizhou School on Tang Xianzu's Traditional Chinese Operas
论泰州学派思想对汤显祖戏曲创作之影响
13.
Study on Folk Essentials of the Local Opera s Music Creation in Ming Dynasty;
明代戏曲音乐创作之民间性本质研究
14.
The Significance of Folk Operas in Zhao Shuli s Novel Creation;
民间戏曲在赵树理小说创作中的意义
15.
Traditional Opera s influence on the Wu Zuguang s Modern Drama;
论戏曲艺术对吴祖光话剧创作的影响
16.
Li Yu's Opera Organizing Theory and His Novel Writing
李渔戏曲结构布局理论与其小说创作
17.
After the war, Berlin continued to write songs for movies and plays.
战争结束后，伯林继续为电影和戏剧创作歌曲。
18.
Discussion of the Dislocation between Drama Theory and Create of Liyu;
试论李渔戏曲理论和创作实践的错位关系