1.
Out of the "Chivalrous Swordsman Dream"--The Tendency for the Shao-Films by Single-Armed Sword and New Single-Armed Sword;
走出“侠客梦”——从《独臂刀》、《新独臂刀》看邵氏武侠片的创作走向
2.
The Positive Impact of Traditional Wushu upon the Fiction and Movie about Paladin;
传统武术对武侠小说、武打片的积极影响
3.
The Research of Family- Country Collective Consciousness in Hong Kong s Knight-errant Movies and TV Through TV Series "Fok Yuen Kap";
从《霍元甲》看香港武侠片的“家国意识”
4.
On the Martial Arts Film in the First Wave of Commercial Films
简论第一次商业电影浪潮中的武侠片
5.
The Influence and Enlightenment of Shao Films on Chinese Films in Ancient Costume and Their Running;
试谈邵氏电影对中国古装片及市场经营的影响与启示
6.
Shaw Brothers Ltd., Hong Kong
邵氏兄弟（香港）有限公司
7.
Anti-Swordsman"and Thoughts of Literary History of Swordsman Fiction in 20~(th) Century;
“反武侠”与百年武侠小说的文学史思考
8.
The scarlet Pimpernel
红花侠(英国影片)
9.
The Exploration and Innovation of Sowordsmen Tele Films
电视电影武侠片模式的探索和创新——从《血溅三岔口》到《温凉珠》
10.
The Misunderstanding on Emei Wushu in Novels and Movies;
浅淡武侠小说和武侠电影对峨眉山武术的误读
11.
The Development of Chivalry Novel and the Newest Achievement of the New Chivalry Novel in Mainland China;
武侠文学的历程与大陆新武侠的复兴——兼论《今古传奇·武侠版》
12.
From Tang Dynasty Swordswoman Stories to the Swordswoman Stories in the 21st Century;
从唐人女侠传奇到21世纪女性武侠
13.
Social Influence of “Swordsman” in Swordsmen Novels;
武侠文学中“侠客形象”的社会影响
14.
Transformation from Chivalrous Fiction to Swordsman Fiction during the Late Qing Dynasty and the Early Republic of China;
清末民初侠义小说向武侠小说的蜕变
15.
The Recession of "Feat" and the Advocating of "Chivalry":Lao She and the Chivalrous Culture
“武”的退隐和“侠”的张扬:论老舍与侠文化
16.
In the 21st century, there appeared some knight-errant films which attempted to reverse the declining tendency.
新世纪出现了几部试图挽回武侠电影颓势的影片，这些影片有其共同特点。
17.
On the Inheritance and Improvement to Traditional Martial Arts Fictions by Jin Yong s;
金庸武侠小说对传统武侠小说的继承与发展
18.
Some Thoughts on the Evolution of the New-Version Knight-Errant Films in the 21st Century and the Tendency of Such Movies;
新武侠电影的发展与新世纪武侠电影的思考