1.
On Multi-principle Form in Chopin s Balladen f Minor(Op.52);
论肖邦《f小调叙事曲(Op.52)》中的多曲式结构原则
2.
Research on Creation Characteristics and Performance of Chopin s F Major Ballade Op.38;
肖邦《F大调叙事曲》Op.38创作特征与演奏的研究
3.
On Performance of Chopin's F Major Second Ballade
关于肖邦《F大调第二叙事曲》的演奏分析及探讨
4.
Study on Artistic Characteristic of Chopin s 《g Minor Ballade》;
论肖邦《g小调叙事曲》的艺术特征
5.
On the Coherent Development of the Theme-motive of Chopin s Ballade in G Minor;
论肖邦《g小调叙事曲》主题—动机贯穿发展
6.
On Chopin Piano Music and His "G Minor Ballad";
浅谈肖邦钢琴音乐与他的《G小调叙事曲》
7.
On the Performance and Teaching of Chopin s First Narrative in G-minor;
论肖邦《g小调第一叙事曲》的演奏与教学
8.
Pondering,Concerning,and Lamenting--An Analysis of Chopin "Ballade in G Minor";
沉思、忧郁、叹息、悲壮——剖析肖邦《g小调叙事曲》
9.
The Study of Chopin s <The Second Piano Concerto in f Minor>;
肖邦《f小调第二钢琴协奏曲》研究
10.
A Study on the Performance of Chopin s "Fantasia in F Minor" Op.49;
肖邦《f小调幻想曲》Op.49的演奏研究
11.
On Metafictional Narrative Strategies of Horizontal Narrative Discourse and "Fragment" Narration in Zuckerman Trilogy;
“佐克曼三部曲”的元小说叙事策略：碎片叙事及非线性叙事话语研究
12.
The Mixed Forms in Chopin s Piano Concerto no.2 in F minor;
肖邦《f小调第二钢琴协奏曲》中的“混和段落”
13.
On the Modernistic Narrative Strategies of The Prelude;
小说《序曲》的现代主义叙事策略探析
14.
Finding the Relationship between the Polyphony Music and the Sacred Music from Anton Bruckner s "Third Mass";
从布鲁克纳《f小调第三弥撒曲》看复调音乐与宗教音乐关系
15.
The Narrative Techniques in David Lodge s Fiction from Campus Trilogy;
从“校园三部曲”看戴维·洛奇小说的叙事艺术
16.
On the Narrative Art and the Theme of Searching in Beckett s Trilogy;
论贝克特小说三部曲的叙事艺术与追寻主题
17.
On Narrative Feature of the Violin Concerto Liang Shanbo and Zhu Yingtai;
小提琴协奏曲《梁山伯与祝英台》的叙事性特征
18.
The Narrative Function of Songs in The Golden Lotus and Its Significance in the History of Fiction Development;
《金瓶梅》唱曲叙事功能在小说发展史上的意义