1.
On conceptual change in opera in early 20~(th) century
试论20世纪前期国人戏曲观念之转变
2.
Viewing the Changes in the Idea on Opera from the Publication of the Ancient Opera Texts around the Period of Republic;
从民国前后古代戏曲文本的印行看戏曲观念之变迁
3.
Influences of Asceticism of Zhu and Cheng on the Plays of Late Ming Dynasty;
程朱理学禁欲观念对晚明戏曲的影响
4.
The Breakthrough of the Traditional Ideas of Dramatic Criticism by L(u|¨) Tiancheng’s“Qupin”;
试论吕天成《曲品》对传统戏曲批评观念的突破
5.
On the Evolution of the Concept of Women s Chastity by Terms of the Legendary Drama in the Late Ming and Early Qing Dynasty;
论明末清初传奇戏曲中妇女贞节观念的嬗变
6.
A Brief study in Chinese Ancient Novels and Traditional Operas;
略论中国古代小说、戏曲中的因果报应观念
7.
A Brief Study of the Idea of “Yinguo Baoying” in Ancient Chinese Novels and Traditional Operas;
略论中国古代小说和戏曲中的因果报应观念
8.
Values of attaching importance to Enlightenment by education on the ancient Chinese theory of directing;
“注重风教”的价值观念——论古代戏曲导演理论
9.
A Tentative Study of Feng Menglong s Theoretical Concept of Opera;
试论冯梦龙的戏曲理论观念——兼论其戏曲理论与原创作品之间的“错位”
10.
On“Joining in the Fun on Occasion”and Its Theatrical Concept;
“逢场作戏”蕴涵的人生教训和戏剧观念
11.
On Ying Yunwei s Aesthetic Ideas of the Traditional Opera films;
在舞台和银幕的契合点上寻觅艺术归宿——应云卫戏曲电影美学观念探微
12.
The Value of Drama Historical Data about Du Yinyuan s Watching Plays Diary;
试论《杜隐园观剧记》的戏曲史料价值
13.
The discussion on the traditional opera and "certain literature in each time";
“一代有一代之文学”观与戏曲身份认同
14.
On the Contribution of Dramas and Novels in Qin Dynasty to the Development of Literary View;
试论清代戏曲、小说对文学史观的贡献
15.
A General View of Some Modern Minority Nationalities Traditional Opera (1949-1966);
当代若干少数民族戏曲发展概观(1949——1966)
16.
Sign Without Soul:Loss of Traditional Chinese Opera from the Perspective of Shaoxing Opera;
没有灵魂的符号:“诗落”的中国传统戏曲——以越剧为话题的戏曲诗学观
17.
Emphasizing the Unique Ideas of Time and Space in Traditional Chinese Opera -Following A Jia s Aesthetic Theories and Ideas;
重视戏曲的独特的时空观——学习阿甲的戏曲理论和美学思想
18.
How will the Chinese Opera face the Time of Cultural Economy?--The Problem of Audience and the Market Strategy;
戏曲如何应对文化经济时代——戏曲的观众问题与市场策略探析