1.
On the Orientation of Sao-style Literary Study in Contemporary Study of Chu-ci;
论骚体文学研究在当代楚辞学中的定位
2.
A Comparative Study of the Two Chinese Versions of the Sound and the Fury from the Perspective of Literary Stylistics
从文学文体学角度对《喧哗与骚动》两个汉译本的比较研究
3.
Stylistic Inherit and Development of Mimic Sao-style Works in the Han Dynasty of Qu Sao
汉代拟骚诗在文体层面对屈骚的继承与新变
4.
On Works of Preface Connected with Qu Yuan and Li Sao in Xi Han and Dong Han Dynasties
试论两汉时期围绕屈原及《离骚》产生的序体文学作品
5.
Poetic Prose in the Style of Li Sao:a Literary Style of Lyric during the Han Dynasty--A concurrent discussion of the limitation of poems as lyric and subjective literature;
骚体赋:汉代的一种抒情文体——兼议以诗歌为抒情文学和自觉文学的局限性
6.
A Life-Centered Theory of Literature
生命骚动文学始——我的“生命论”文学观
7.
Harmony out of Involutions Stylistic Idiosyncrasies of the Sound and the Fury;
乱中求序—《喧哗与骚动》的文体特质
8.
Differences between Shao and Fu;
骚、赋文体辨——兼说屈作不当名赋
9.
On Wen Tong s Creation of Sao Style;
生气远出 意思萧散——论文同的骚体创作
10.
Bible Images and Symbols in The Sound and the Fury;
《喧哗与骚动》的圣经意象和文学象征
11.
Viewing Evolvement of Literature Thoughts in Han Dynasties from Appraisal of Lisao;
从评《离骚》看两汉文学思想之演变
12.
Cultural Background and Aesthetic Significance of WANG Wei s Imitation of the Sao Style;
王维追步楚骚的文化背景和美学意义
13.
Meditation in Confused Noise and Commotion --Probe into Cyber-Literature;
在喧哗与骚动中沉思——网络文学探索
14.
LI SAO:THE AESTHETIC KEYNOTE OF CHINESE EXILE LITERATURE;
《离骚》奠定了我国迁谪文学的审美基调
15.
REVIEW ON QUSAO AND PATRIOTIC LITERATURE IN THE SONG DYNASTY
罗敏中《屈骚与宋代爱国文学》评论
16.
The Satirized Article by PI Ri-xiu Inherited and Variated to QU Yuan;
论皮日休的讽悼文对屈原骚体文的继承与变异
17.
Basically, the gongti, whose theme was nobles' travel, represented a new fad in writing during the Six Dynasties period.
宫体基本上是一种新变文风，以贵游引领风骚。
18.
On Translator's Subjectivity in the English Translation of Li Sao: From the Perspective of Philosophical Hermeneutics
从哲学阐释学看《离骚》英译的译者主体性