1.
A Brief Analysis To the Approa Ches of Applying the Mixure of Sorrow and Joy And the Enchanting By Forms In《The Wishes》;
《祝福》中哀乐互设、以形传神的艺术技巧
2.
Sadness and gladness succeed each other
悲喜互继,哀乐相续
3.
Subject and Object Reciprocate to Enjoy Harmonious Tone--Study Ji Kang‘s music appreciation theory from "Tone has no sadness or happiness;
主客互动悦和声——从《声无哀乐论》看嵇康的音乐欣赏理论
4.
The mood of the music was almost funereal.
音乐的调子几乎像哀乐。
5.
A funeral hymn or lament.
哀乐，挽歌丧礼的赞歌或哀悼
6.
Funeral marches to the grave.
正朝着坟墓把哀乐敲响。
7.
I wish you' d stop playing that mournful music.
你别奏那种哀乐了吧.
8.
“Moderate” and “Change” of the Moon.--Comments “Whinny”;
“常”与“变”中的哀乐——评《萧萧》
9.
A slow, mournful musical composition.
庄重悲哀的乐曲节奏缓慢，庄重悲哀的音乐作品
10.
Interflow and Reference between Interior Design and Sense of Music--Ideas from "Synesthesia"
室内设计与音乐乐感的互通与借鉴——由“通感”所想
11.
Music with Sorrow"or"Music without Sorrow" --Comments on Manifestation and Expression Form of Music;
“声有哀乐”还是“声无哀乐”——论音乐的表现性和表现方式
12.
About HUANG Dao-zhou's Music Aesthetics:A Comparison Between his Debates againt Ji Kang's Sound,no Sorrow or Joy
从《声无哀乐辩》与《声无哀乐论》的比较中看黄道周音乐美学思想
13.
Formulation of Music Function In Sound without Funeral Music;
《声无哀乐论》中关于音乐功能的阐述
14.
Music Aesthetic Ideas in Sound without Dirge;
《声无哀乐论》音乐美学思想研究述评
15.
New Comment on "Moved by Grievous Music & Expressed with Matter;
对汉乐府“感于哀乐,缘事而发”的新阐释
16.
Comments on “Music Has No Distinctions Between Happiness and Sorrow" by Ji Kang;
嵇康《声无哀乐论》的音乐思想简论
17.
On Music is Irrelevant to Grief or Joy-Analysis of Ji Kang' Music Aesthetics
从《声无哀乐论》看嵇康的音乐美学思想
18.
The joy of our hearts has ceased; Our dancing has been turned into mourning.
哀5:15我们心中的快乐止息、舞变为悲哀。