1.
On the Narrators and the Narrative Angle of View of Strange Stories from a Chinese Studio;
论《聊斋志异》的叙事角色和叙事视角
2.
The Narrator and Characters in A Rose for Emily;
《献给爱米丽的玫瑰》中的叙事者和角色
3.
Audience As A Different Role in Movie Narratives;
观众:作为电影叙事体中的不同角色
4.
A Study of the Shift of the Narrative Point of View and the Language Styles of The Assistant;
《店员》的叙事角度转换与语言特色研究
5.
Narrative Inquiry and Teacher s Role --Concurrently Answer Whose Method the Narrative Inquiry Is;
叙事研究与教师角色——兼答叙事研究到底是谁的方法
6.
The Culture Implication and Narrative Function of Princess Role in Folk Tales;
民间故事中公主角色的文化意义与叙事功能
7.
The Deflection From "Part" To "Narrator" --On Novel of the Frist Person Narration in Seventeen Years;
由“角色”向“叙述者”的偏移——十七年第一人称叙事小说论
8.
Narrative Literature and Non-human Role:Exemplifications of Destiny and Time;
叙事美学与非人物角色——以命运与时间为例
9.
Imitation or Narration:On the Expression of the Roles by Video Reporter
模仿还是叙事?——试论摄像记者的角色表现
10.
On Narrative Feature of Lu Xun s Divorce from the Narrative Point of View;
论鲁迅小说《离婚》叙述视角的叙述特色
11.
On Narrative Structure of The Professor s House from the View of Perspective;
从叙述视角看《教授的房子》的叙事结构
12.
Narrative Modes with HE as the Narrator;
“他”作为叙事者的两种窄视角叙述模式
13.
Multiple Points of View and The Disappearance of Narrative Authority--On As I Lay Dying from the Narrative Point of View;
多角度第一人称叙事与叙述权威的消亡——论《我弥留之际》的叙事视角
14.
The Special Narration of the Chinese Films;
说书人叙事——中国电影中的独特叙事角度
15.
The Art of Narrative Viewpoint of Tang s Legend and the Independence of Its Style;
唐传奇叙事视角艺术及其叙事文体的独立
16.
A Rebellion of Narration--On the Narrative Tactics of The Yellow Wallpaper
叙事符号的反叛——解读《黄色墙纸》的叙事策略
17.
The glue that holds the processes together is narrative: using personas to create stories that point to design.
将这些过程黏合在一起的是故事叙述，即使用人物角色来讲述针对设计的故事。
18.
On Feature of Lu Xun s Kong Yiji from the Narrative Point of View;
论鲁迅小说《孔乙己》叙述视角的叙述特色