1.
On the Relation between Aria Libretto and Opera Elements--Taking the opera "The White Haired Girl" as an example;
歌剧咏叹调唱词与歌剧戏剧元素的关系——以民族歌剧《白毛女》为例
2.
A Brief Account to the Influence of Western Operas on Modern Chinese Operas;
浅论西洋歌剧对中国现代民族歌剧的影响
3.
The Artistic Features of "the Daughter of the Party";
试析民族歌剧《党的女儿》的艺术特色
4.
Probing into the Dramatic Issues in the Music of Japanese National Opera--Twilight Heron
日本民族歌剧《夕鹤》中音乐戏剧性问题的探究
5.
On the Aesthetic Characteristic of the Theory of Drama-opera Integration of Chinese National Opera;
论中国民族歌剧“戏歌综合”理论的美学特征
6.
Analysese of the Applications and Performances of the XiQu Rhythm on Chinese National Opera;
浅析中国民族歌剧中戏曲板式的运用及演唱
7.
An Inquiry into the Causes of Imbalance in the Progression of Chinese National Opera;
中国民族歌剧发展道路不均衡性原因探析
8.
Inheriting not Easy, Innovating More Difficult:Analyzing National Opera<The Party s Daughter>;
继承不易 创新更难——试析民族歌剧《党的女儿》
9.
The History and Reflection of Chinese National Opera
中国民族歌剧的历史发展概述与现状反思
10.
The Legend of British National Opera--An Analysis of Peter Grimes;
英国民族歌剧的传说——布里顿《彼得·格莱姆斯》音乐简析
11.
Changing Dualism(Eastern &Western)into Pluralism;
化“中西”为“多元”——从中国民族歌剧《原野》的音乐创作谈起
12.
The Study of Tragically Aspect of Mongolian Narrative Short Tone Folk Song;
蒙古族叙事性短调民歌的悲剧性研究
13.
The Statement of the Nationalization Process of the Chinese Opera Creation in 20th Century;
论20世纪中国歌剧创作的民族化进程
14.
Discuss the Development of New Chinese Opera The White-haired Lady and It s Pursuit of the Nationalization Style;
论歌剧《白毛女》的创生及其民族化风格的追求
15.
On the Combination of Nationalization and Diversification of Chinese Opera Creation;
论中国歌剧创作民族化与多元化的结合
16.
Ethnic Perfomance and Regional Tourism Development--A Case Study of Guizhou;
民族歌舞戏剧与地区旅游开发——以贵州为例
17.
Reflections on Developing Opera Art of Chinese Ethnic Minorities
发展中国少数民族题材歌剧艺术的几点思考
18.
"Power" of Throat in Singing: After Watching Historical Opera Crying into the Air
歌唱中喉器的“力量”——观民族历史歌剧《仰天长啸》有感