1.
Perfection and Imperfection--On Role Sense of Qin Keqing;
兼美理想与美中不足——秦可卿的角色意义
2.
The appearance,contradition and disappearance of the perfectideal --Comprehend XUE Bao chai and LIN Dai yu s coexistence;
兼美理想的凸现、矛盾与消亡——解读薛宝钗与林黛玉的共时空存在
3.
New Insight and New Ideas on the New Curriculum --A Brief Review of Zhu Guangqian s Chinese Aesthetic Education Ideology;
新课程·新理念·新观照——兼论朱光潜先生的语文美育思想
4.
The Theoretical Interest of T. H. Fang Philosophical Ideas: and with a Discussion with Mr. Yu Bingyi;
也论方东美哲学思想的理论归趣——兼答余秉颐先生
5.
A Tentative Analysis of the Relationship between Wang Zengqis Aesthetics and its Practice;
试论汪曾祺审美理想与创作实践的关系——兼对一种批评方法的思考
6.
QIN Keqing:The Limit of the Idealization about "Jianmei"--The Connotation of QIN Keqing's Image
秦可卿:“兼美”理想的世俗极限——秦可卿的形象内涵索解
7.
The author first carried out his concept on Qin Keqing, and then on Xue Baoqin.
这个构想就是钗黛合璧，兼取众美之长。
8.
On the Combination of "Form" and "Spirit" in Chinese Aesthetic Theories of Painting;
浅谈中国绘画美学思想中的形神兼备
9.
On Williom E· Kennick s Aesthetics--An Evaluation of Analytic Aesthetics;
论肯尼克的美学思想——兼对分析美学的评价
10.
The author of this paper, therefore, upholds that a perfect version of the original verses' style should only be based upon the golden mean practice of keeping both of original“ form" and“ content".
笔者认为，译者唯有走“形、兼备”的中庸之道，方可望达到诗歌风格翻译中的完美理想的境界。
11.
On Jiang Kui s Thinking on Poetry and His Ci verse Creation;
从姜夔《白石道人说诗》的美学内涵看其词创作的理想境界及兼论其词风
12.
Study of Fan Bingqing Aesthetic Thought--Discussing Relationship with Wang Guowei Aesthetic Thought;
樊炳清美学思想初探——兼论与王国维美学思想的关系
13.
On the Scientific Nature of Ideals;
论理想的科学性问题——兼论理想教育的认知前提
14.
On Fu Lei s Artistic Subject and Aesthetic Presentation;
试论傅雷的艺术主体思想——兼谈艺术的审美表现
15.
A sage should be both human and intelligent--On Wang BiIdeal Personality
情智兼得方为圣人——论王弼的理想人格
16.
Beauty VS Ugliness:An Analysis of the Aesthetic Ideals in Fine Arts;
“美”与“丑”:美术作品中审美理想的剖析
17.
A study of Mukarovsky s conception of aesthetics together with Prague School s contribution to aesthetics;
穆卡洛夫斯基的美学思想——兼论布拉格学派的美学贡献
18.
Accepting Differences among Music Aesthetic Subjects--And about Music Aesthetical Thoughts of Huainanzi;
音乐审美中主体的接受差异——兼论《淮南子》中的音乐美学思想