1.
Southern Song Dynasty s Zaju is Different from Northern Song s;
北宋杂剧与南宋杂剧是不同的杂剧形式
2.
During the Song Dynasty, zaju, or just za, gradually became a special term for a new kind of performance.
到了宋代，"杂剧"逐渐成为-种新的表演形式的专称;
3.
On the Divergence and the Reason about Southern Drama and Northern Zaju in Formal System;
论南戏和北曲杂剧在形式体制上的差异及原因
4.
To an even greater extent than that of England, the American drama of the nineteenth century was a bastard art-form.
十九世纪的美国戏剧作为一种驳杂的艺术形式，更甚于英国。
5.
Being for the Drama--the Space Forms for Drama and Theatre;
为戏剧而存在——戏剧与剧场的空间形式
6.
The Differences of Pattern between miscellaneous drama of Yuan Dynasty and Western Traditional Drama;
元杂剧戏剧模式与西方传统模式的差异——元杂剧文本结构研究之一
7.
The basic structural way of Yuan Drama
元杂剧基本的戏剧构造方式——元杂剧文本结构研究之二
8.
3.Dramatic Form and Language
三.戏剧形式和语言。
9.
He mimed the part of a drunken man.
他以哑剧形式表演醉汉.
10.
The Complexity and Reason for Images of Women in Their Love Affairs in Musical-Poetic Dramas of the Yuan Dynasty;
元杂剧婚恋关系中女性形象的复杂性及其成因
11.
The Northern Song Tsa-chu"Mulian Saving His Mother"Is A Ritual Play;
北宋《目连救母》杂剧的表演形态刍议
12.
The Cause of "Plight" Art in Yuan-Dynasty Drama;
论元杂剧的“苦境”艺术美形成原因
13.
In Commenting the Absurd of Tragedy Conflict Dispel Way on the Yuan Zaju
论元杂剧中悲剧冲突消解方式的荒谬性
14.
a play acted entirely in mime
完全以哑剧形式演出的话剧
15.
The Plot of Confucianism in Yang Chaoguan s Zaju--On the Characters with Benevolence in Yinfengge Zaju;
杨潮观杂剧的儒家情结——解读《吟风阁杂剧》中的仁者形象
16.
The Historical Remains Of The Modality For The Poetic Drama Dissemination South In Song Dynasty;
宋代杂剧南传形式的文物遗存——四川大足石窟“六师外道谤佛不孝”群像考
17.
Reexaming ZaJu in the Yuan Dynasty from a New Perspective of Changed Mode of Thinking--The Preface to A General Survey to ZaJu in the Yuan Dynasty;
转换一种思维模式重新审视元杂剧——序《元杂剧通论》
18.
The “Rule of Man” in Traditional Judicature --Perspective from the Poetic Dramas of Yuan Dynasty;
传统司法中“人治”模式——从元杂剧中透视