1.
DEVELOPMENT OF INDIVIDUALISM IN POETRY;
诗歌个我本位的张扬——戴望舒前期诗歌另论
2.
Transcendence and conversazione--Modernism in Yanjiao Peng s first-phase poetry in Guilin;
论彭燕郊桂林前期诗歌中的现代主义
3.
The Crimson Sorrow--On the Affectional Features of Dai Wangshu′s Early Poems
绛色的沉哀——戴望舒前期诗歌的情思特质
4.
Breakout of the Classical Spirit -Look at the Evolution of Bian Zhi-lin s Mentality from his Prophase Poesy;
古典的突围——从前期诗歌创作看卞之琳心路历程
5.
A multidimensional reflecting on the modern civilization The Self-success Teaching Explore in Math class of High Academy--the analysis of modern urban image in Ai-qing’s prophase poems;
对现代文明的多维反思——艾青前期诗歌中的现代城市意象分析
6.
Between Exploring and No Ways to Escape --the analysis of spirit in Dai Wang-shu s early poems;
在寻找和无可逃遁之间——戴望舒前期诗歌精神处境浅析
7.
Grand Life Force Conveyed--Brief Introduction to Mid-80s Pre-Period Poems by Changyao;
圣迹:大生命力的强劲传达——浅论昌耀世纪年代中前期诗歌
8.
Anarchism and Guo moro s Earlier Poetry Creation;
无政府主义与郭沫若前期的诗歌创作
9.
30 Years' Development of the Form of Chinese Modern Poetry and Loss of Poeticalness--A Case Study of the Early and Late Stage of Fu Tianlin's Poetry Creation
近30年新诗形式流变与诗性流失——以傅天琳前后期诗歌创作为例
10.
Discussion and analysis on political cause to form poem s characteristic in early and middle Northern Song Dynasty;
北宋前中期诗歌特征形成的政治原因探析
11.
Yu Qian and his poems in enslaved literature context in early Ming Dynasty;
明前期文学奴性化语境下的于谦及其诗歌
12.
INHERITING AND DEVELOPING: THE LIHUO S POETRY TO THE ANCIENT POETRY;
论李贺诗歌对前代诗歌的继承和发展
13.
He Qifang s Early Poem and China s Classical Poem Image Tradition;
何其芳早期诗歌与中国古典诗歌意象传统
14.
Poetry Standard and Moral Consciousness--One of the Investigations of New Poetry since the Beginning of the New Age;
诗歌本位与道德直觉——新时期以来诗歌考察之一
15.
July School s Poetry Creation in Guilin in the War of Resistance against Japanese Aggression;
“七月诗派”抗战时期在桂林的诗歌创作
16.
Conversion of Poetry: The "Tradition" in Zhengmin's Later Works
诗的转向：论郑敏后期诗歌的“传统”在场
17.
The Influence of British and American Imagist Poetry on the Early Style of Chinese New Poetry;
论英美意象派诗歌对中国新诗初期诗体的影响
18.
Ho Kyun's poetic criticism involves Korean poetry as well as Chinese poetry in the Tang, Song and Ming dynasties.
这一时期的许筠诗歌批评涉及到了唐、、诗以及朝鲜历代诗歌。