1.
A Brief Analysis of Two Changes in a Pipa Girl s Image--Looking at the Pipa Girl from“Qingshan Lei”and“Sixian Qiu”;
浅析琵琶女形象的两次变化——从《青衫泪》《四弦秋》中看琵琶女
2.
Girl: Angry anglers? What do you want' em for?
女孩：“激怒琵琶鱼”？你要拿它们干什么？
3.
From Nanxi Chaste Women Zhao and Erlang Cai to Chuanqi The Story of Lute;
从南戏《赵贞女蔡二郎》到传奇《琵琶记》
4.
On the Hero and the Heroine in The Tale of Pipa
《琵琶记》中男女主人公形象之我见
5.
A Discussion on the Performing Techniques of Pipa in Bai Juyi s "Song of Pipa";
白居易《琵琶行》中的琵琶演奏技法探微
6.
The Influence of Transplanted Music of Pi-pa the Development of Pi-pa Art;
琵琶移植乐曲对琵琶艺术发展的影响
7.
"Two Beauties, One Husband" and its Cultural connotation in PiPaIi and The Biographies of Heroic Youth;
从《琵琶记》和《儿女英雄传》看“双美一夫”模式及其文化意蕴
8.
Some of the more noteworthy pipa works are:
琵琶的传统曲目有:
9.
It is the little rift within the lute,
就是那琵琶琴的小裂痕，
10.
The little rift within the lover's lute,
情人的琵琶琴上小裂痕，
11.
Piper's Hill Ultra High Level Fresh Water Service Reservoir
琵琶山超高食水配水库
12.
Piper's Hill Low Level Fresh Water Service Reservoir
琵琶山下食水配水库
13.
Piper's Hill High Level Fresh Water Service Reservoir
琵琶山上食水配水库
14.
Solos were mostly played on the pipa or yangqin.
独奏多用琵琶或扬琴。
15.
Pictorial Analysis to Chinese Localization of Pipa Lute Instrument;
宋、元、明琵琶图像考——琵琶乐器汉化过程的图像分析
16.
On the Study of the Vietnamese Ty-ba's Historical Origin and Comparative with Chinese Nanyin Pipa
越南琵琶的历史起源与中国南音琵琶的比较研究
17.
The Preliminary Inquiry into Strengthening the Construction of Lute Teaching Materials from Its Historical Evolution
从琵琶教材的历史沿革试析琵琶教材建设的加强
18.
Absence of feminine self-consciousness and its relation to Confucian culture;
女性自我意识的缺失与儒家文化——从高明的《琵琶记》和南戏“四大传奇”谈起