1.
It is the conventional happy ending.
这是传统的大团圆结局。
2.
On Public Taste and Happy Ending of Chinese Classical Drama;
大众品位与中国古典戏剧大团圆结局
3.
On Meaning of Happy Ending of Chinese Tragic Play;
“团圆”:悲剧审美趋向的符号象征——论中国悲剧大团圆结局意义
4.
Cultural and Mental Mechanism Analyze with the Grand Union Final Outcome in Drama of Yuan Dynasty;
浅析元代戏剧大团圆结局的文化心理机制
5.
On the Cultural Implications of the Happy Ending Novels about Genius and Beauty in the Early Qing Dynasty;
论清初才子佳人小说大团圆结局的文化意蕴
6.
Interpreting Why Chinese Ancient Operas Always End Reunion from the Angle of Audience;
从观众角度解读中国古代戏剧的大团圆结局
7.
Magic Analysis for Happy Ending Novels about Genius and Beauty in The Late Ming and Early Qing Dynasty
明末清初才子佳人小说大团圆结局魔力解析
8.
The Happy Ending and People’s Culture Psychology in the Draft Novels of the Ming Dynasty;
明代拟话本小说中的大团圆结局与民族文化心理
9.
On the Reunion Conclusion of the Chinese Classical Tragedy ──Also Taking Account of the Causality in the Classical Tragedy;
浅论中国古典悲剧的大团圆结局──兼论古典悲剧中的因果报应问题
10.
I like林俊贤 very much at that time and disliked刘嘉玲 because the role she played as a Japanese spy and dislike her till now.
那个时候她好年轻啊，她不是一人演两个角色嘛。最后结局我还记得，大团圆结局。。
11.
The writer contrived a happy ending.
作者安排了一个大团圆的结局。
12.
Ending of "Happy Reunion" in Liberated Area Literature
解放区文学“大团圆”结局现象论析
13.
A Study of the Happy Ending in the Post Yan an Literary Works;
浅析后期延安文学中的“大团圆”结局
14.
"San Yan" love novels’ happy ending and their causes of formation;
论“三言”爱情小说的“大团圆”结局及其成因
15.
The Tragic Consciousness in Ancient China and the Happy Ending of Traditional Drama;
中国古代悲剧意识与传统戏剧的“大团圆”结局
16.
Reunion Theme Complex--A Cultural Analysis of the Happy Endings in Chinese Classical Tragedies;
团圆情结——中国古典悲剧团圆结局的文化分析
17.
A Critical Discussion on the Mechanism of the Winding-up of Happy Reunion and Its Cultural Origin--A Co-discussion of the Cultural Spirit of Chinese Drama;
“大团圆”结局的机制检讨与文化探源——兼论中国戏曲的文化精神
18.
Fictions about genius and beauty during Ming and Qing Dynasties are almost of happy endings with grading the candidates in the imperial examinations and getting marriage by order of the parents, but lack of the tragedy spirits.
明清时期的才子佳人小说几乎都是以科举及第、奉旨成婚的大团圆形式结局，缺乏悲剧精神。