1.
On Japanese Great Modern Writer Natsume s Earlier Works;
论日本近现代文学巨匠夏目漱石的前期创作——愤怒的夏目漱石
2.
Natsume s Life and the Formation of his Thought;
论日本近现代文学巨匠夏目漱石——夏目漱石的生活与思想形成
3.
Comparisons about Novel Satire Art: Between Lu Xun and Natsume Soseki;
鲁迅与夏目漱石小说讽刺艺术的比较
4.
Discuss on the Intellectual Image of Xiamushushi s Novel;
试论夏目漱石作品中的知识分子形象
5.
A Review of the Study on Natsume-Soseki in China and Japan in the 20th Century;
20世纪中日两国夏目漱石研究述评
6.
The Image of Onao in Passersby by Natsume Soseki;
夏目漱石《行人》中的阿直形象试析
7.
Natsume Soseki s Emotional World as Viewed from His Early Trilogy;
从早期三部曲看夏目漱石的情感世界
8.
Comparison between “the Wild Grass”by Lu Xun and “Ten-Night Dreams” by Xia-mu-sou-shi;
鲁迅《野草》与夏目漱石《十夜梦》比较论
9.
Decipherment of Natsume Soseki's Aesthetics of Transcendency inKusamakura
由《草枕》解读夏目漱石的非人情美学
10.
Analyzes Intellectual s Tragic Survival Patterns of Natusomesouseki s Novels;
论夏目漱石小说中知识分子的悲剧性生存模式
11.
The theme of triangle relation is present throughout Natsume Soseki's early trilogy.
夏目漱石的早期三部曲,始终贯穿着一个主题:三角关系。
12.
Individuality Freedom and Women Liberation--Comparison of Heroes and Heroines in Natsume Souseki s Love Trilogy;
个性自由与女性解放——夏目漱石爱情三部曲男女人物比照
13.
The Analysis to Japanese Idea of Life and Deaththrough the Suicidal Phenomenon in "heart";
从夏目漱石《心》中的人物自杀现象透析日本人的生死观
14.
Dreamed Acting Everyday but have not really act-discussion on Soseki Natsume《Nod Record》and critique of Militarism;
终日行而未曾行——浅谈夏目漱石的《点头录》和军国主义批判
15.
A Lone and Bitter Scholar in a Obscure Family--On the First Boy’s image of Foot Passer-by of Natsumesousaki;
晦涩家庭中的孤苦学者——试析夏目漱石《行人》中的一郎形象
16.
The Dusty Heart and the Way to Uncover the Nature--on the Relationship of Natsume Soseki s Kokoro and Hsun Tse s Philosophy;
蒙尘的“心”与解蔽之道——试论夏目漱石的《心》与荀子思想的关系
17.
A War Proclamation against the Corruption of Japanese Educational Circles;
一篇讨伐日本教育界腐败的檄文——论夏目漱石的小说《哥儿》
18.
On the Inward Loneliness of Modern Intellectuals in Natsume Souseki's Literature-Focus on his Work Door
从小说《门》看夏目漱石作品中近代知识人的内心孤独