1.
N the Intersection of Art--Discuss "Obscure Poetry faction" of "post-modern" feature;
交叉点上的艺术——论“后朦胧诗派”的“后现代性”特征
2.
From "Misty Poetry" to "Post Misty Poetry":the Transformation of Aesthetic Modernity
“朦胧诗”到“后朦胧诗”:审美现代性的转变
3.
The Misunderstood Post-obscure Poem Group--To Reassess Post-obscure Poem Group;
被误读的“后朦胧诗”群体——对“后朦胧诗”的重新认识
4.
Shu Ting is one of the key figures who created obscure poems.
舒婷是朦胧诗派的核心人物之一。
5.
An analysis of the two poetry trends after misty poetry time;
“朦胧诗”后的两大诗歌写作倾向评析
6.
Crisis of "Colloquializing" Exploration in Poetry Since "Post Avant-Grade";
“后朦胧”以来诗歌“口语化”探索的危机
7.
A Summary View on the Impact of the Bible on Some "Obscure Poets" After the Cultural Revolution;
论《圣经》对文革后几位朦胧诗人的影响
8.
Original Creation and Experiment--The Art Tendency of Post-Misty Avant-garde Poetry;
原创与实验——朦胧诗后先锋诗歌的艺术趋向
9.
On the "Pre-Obscure Poems" in 1960-70s
1960-70年代“前朦胧诗”研究
10.
The Usual Doctrine Verse, which rose after the trend of Obscure Poem, plays a vanguard role for its exploratory significance.
日常主义诗歌是朦胧诗浪潮后兴起的具有探索意义的先锋诗歌。
11.
The Hazy Beauty in Mood--An Analysis of theArt Fulcrum of Chinese Modernist Poetryin 1930 s;
追求情绪的朦胧美——析30年代“现代诗派”创作的艺术支点
12.
The Comparative Study on Obscure Poetry and the Western Modern Poetry;
朦胧诗与西方现代主义诗歌比较研究
13.
Contrast in the Manner of Monody between Poems of "Guilaizhe"and "Menglongshi";
论“归来者”诗与“朦胧诗”抒情方式的差异
14.
Discussion on the misty poetry controversy of Shu Ting s poesy criticism;
论“朦胧诗”论争中的舒婷诗歌批评
15.
On the aesthetic pursuit of the misty poetry and the influences on modern poetry;
谈朦胧诗美学追求对当代诗歌的影响
16.
Comparision and Contrast of the Drigins and Internal Aesthetic Meanings of Symbolic and Misty Poetry;
象征诗与朦胧诗渊源及审美意蕴比较
17.
Contrast in the Subject of Monody Between Poems of "Coming-Back Person" and "Misty Poetry"
论“归来者”诗与“朦胧诗”抒情主体的差异
18.
in it he could already hazily discern a real poem.
他已经朦胧地读到了一首真正的诗篇。