1.
Research On the Editions and Configuration of Bach s Chromatic Fantasia and Fugue;
巴赫《d小调半音阶幻想曲与赋格》的版本及其形态研究
2.
Discusses Fantasy Style and Influence of Bach "Chromatic Fantasia and Fugue";
浅谈巴赫《半音阶幻想曲与赋格》的幻想性风格及其影响
3.
A Teaching Analysis of Piano D Minor Fugue by Bach;
巴赫钢琴《d小调赋格曲》教学解析
4.
The second tone in the scale of C major or the fourth tone in the relative minor scale.
D音，D调C大调音阶的第二个音或C小调音阶中的第四个音
5.
The Innovation of Fugue Structural Principle;
赋格结构原则的创新——肖斯塔科维奇d小调赋格分析
6.
How to Perform Bach's A Flat Major Prelude and Fugue with the Free Bass Accordion
如何用自由低音手风琴演奏巴赫《降A大调前奏曲与赋格》
7.
On the Style of Beethoven's Piano Sonata
简析贝多芬第十四号升c小调幻想奏鸣曲的风格
8.
A Study on the Performance of Chopin s "Fantasia in F Minor" Op.49;
肖邦《f小调幻想曲》Op.49的演奏研究
9.
The New Idea Of Modern Counterpoint And Performance Style In Shchedrin s Works;
谢德林现代复调音乐思维及其演奏风格——钢琴套曲《24首前奏曲与赋格》探讨
10.
The Analyis of D·Shostakovich’s Three Parts Fugue in A Minor --Concurrently Dsicuss Some Characteristics of D·S·S “24 Preludes And Fugues”;
肖斯塔科维奇a小调三声部赋格分析——兼论《二十四首前奏曲与赋格》的某些创作特征
11.
However, many blues tunes can be played on a chromatic harmonica and the ones following are no exception.
然而，许多蓝调歌曲能与半音阶口琴有一些关联也是不例外的。
12.
The Analysis of Prelude and Fugue on Hindemith s Ludus Tonalis;
亨德米特《调性游戏》前奏曲与赋格分析
13.
On Sonata and Fugue in Piano Music and Their Ways of Teaching;
钢琴音乐奏鸣曲与赋格的风格及其教学
14.
That Shchedrin's24 Prelude and Fugue is an important work of the counterpoint music in20 th century.
前苏联作曲家谢德林的《24首前奏曲与赋格》,是20世纪钢琴复调音乐中的重要文献。
15.
Compared with Polyphonic Thinking about Two Fugue in c Minor from Bach;
比较巴赫两首c小调赋格曲中的复调思维特征
16.
The Analysis on Music and Playing of by Chen Mingzhi
陈铭志《小型复调格律乐曲集》的音乐与演奏分析
17.
Relating to or being a minor scale.
小调的，小音阶的小调音阶的或与其有关的
18.
Shostakovitch and His Fifth Symphony in d Minor;
肖斯塔科维奇与《d小调第五交响曲》