1.
Analyzing the Production of the Thinking Inclination of Akutagawa-ryunosuke S Chinese Themes;
论芥川龙之介中国题材作品群的产生
2.
Analyzing the Thinking Inclination of Akutagawa-ryunosuke S Chinese Themes;
论芥川龙之介中国题材作品群的思想倾向
3.
Expressing One s Life Ideal with Imagination of Ancient China--On Akutagawa Ryunosuke s group works about China;
想象中国古典 抒写人生理想——论芥川龙之介的中国题材作品群
4.
Those paintings were mostly depictions of scenes in the rural areas of South China
作品多以南中国风土题材为主。
5.
The Culture Perspective of Chinese Films and TV Drama Programs on the Subject of War after 1990s
九十年代后中国战争题材影视作品的文化审视
6.
Outstanding Thinking--Works with Three Kingdoms as Theme in Fantasy Novel--and on the Sequels of Three Kingdoms
天马行空——玄幻小说中的“三国”题材作品——兼论《三国演义》的续书
7.
The Other s Perspectives-On Cultural Confrontations in Justin Hill s Works;
他者的眼光:贾斯汀·希尔中国题材作品中的文化冲突
8.
Many other stories in a similar vein could be quoted from historical writings of many countries.
从不少国家的历史作品中可以举出许多类似题材的故事。
9.
A View of the Conditions and Outcome of the Chinese Working Class Can Be Seen in Line with Industrial Literary Work;
从工业题材文学作品看中国工人阶级的境遇和出路
10.
The Teaching Practice of Chinese Tragedy Materials in the High School;
中学语文悲剧性题材作品的教学探索
11.
Two-Way Aesthetic Effect of the Theme of the Human Body in the Artistic Products;
美术作品中人体题材的双向审美效应
12.
The Problems and Strategies in the Development of Industrial Clusters of China Green Food;
中国绿色食品产业集群发展中的问题与对策
13.
Thoughts on the Import of Foreign Teaching Materials;
外国教材引进工作中若干问题的思考
14.
Chinese Modern Historical Novels Creative Research of Extraterritorial Topics
中国现代域外题材历史小说创作研究
15.
A Discussion on the Images of "Hong Lian" and "Liu Cui" in the Buddhist Works;
“火焰化红莲”——论佛教题材作品中的“红莲”形象
16.
The Finding of Subjects and the Cultivating of Moral Quality --Some ideas about the teaching of composition in middle schools;
发现题材与培育人品——中学作文教学侧议
17.
The Study about Foreign Works in the Living PEP Senior Chinese for China Students Book;
现行人教版高中语文教材（必修）中外国作品研究
18.
Research on the Usage of Synthetic Materials in Contemporary China Oil Painting;
浅谈“综合材料”在当代中国油画作品中的运用