1.
The Symptomatic Analysis to the New Version the Great River Novel by Li Jieren;
李劼人新版“大河小说”的症候式分析
2.
Study on the Nationality and Mordenity of Li Jieren s Long River Novel;
论李劼人“大河小说”的民族性与现代性
3.
Historical Novels Written by Li Jieren and Originality of His Narration;
李劼人历史小说与川味叙事的独创性
4.
On the Modern Artistic Style of Li Jieren s Novel Trilogy;
论李劼人长篇三部曲的现代艺术形式
5.
On the Awakening of Female Consciousness in Li Jieren's "River Novels"
论李劼人“大河小说”中女性意识的觉醒
6.
A Writer's Change of Profession: Li Jieren's Trouble in Identifying with His New Mayoral Role(1950-1962)
“改行的作家”:市长李劼人角色认同的困窘(1950—1962)
7.
A Writer Who Changed His Profession: Mayor Li Jieren's Dilemma in Search of His Identity in a New Society, 1950-1962;
“改行的作家”：市长李劼人角色认同的困窘，1950—1962
8.
The Binary Stars in Contemporary Literature in Sichuan: Guo Moruo and Li Jieren;
郭沫若与李劼人:四川现代文学史上的“双子星座”
9.
Li Jie-ren's Historical Novels in the Spirit of the Times and the Fate of Individual
李劼人历史小说中的时代精神与个体命运
10.
The Artist Style of Characterization of Li Jie-ren s Novel;
新文学的现实主义“川味”群雕——论李劼人“大河小说”的人物塑造
11.
The Attitude of Li Jieren When Rectifying Da Bo;
李劼人改写《大波》时的创作心态——对当代文学创作一种现象的聚焦
12.
From Zeng Pu to Li Jieren: the Forming of the Mode of Modern Chinese Historical Novels;
从曾朴到李劼人:中国长篇历史小说现代模式的形成
13.
Li Jieren and Reconstruction of Female Myths --Texual Demonstration of Love Narrative of "Romance novels;
李劼人:重建女性神话——“大河小说”情爱叙事的的文本阐释
14.
Reflecting on the Structure of the Literary Schools in the Depictions of Chinese Literary History in "1930s" from the Case of LI Jie-ren
从李劼人现象反思“三十年代”文学史书写中的流派架构
15.
Love: means or objective?--Comparison between Li Jieren s Ripple of Dead Water and Gustave Flauubert s Madame Bovary;
爱情:作为手段还是目的?——李劼人《死水微澜》与福楼拜《包法利夫人》比较阅读
16.
The bellboy helps the guest to take the baggage, and check the baggage number.
行李员帮助客人拿行李，并向客人核对行李件数。
17.
Please prune plum trees promptly. The plum pickers plucked the plump plums.
请迅速修剪李子树。摘李子的人摘下饱满了李子。
18.
Please put your luggage here. The luggage man will take care of it.
请大家把行李放在这里，行李员人管行李的。