1.
From Jane to Antoinette: On the Subversion of the Archetypal Cinderella in Wide Sargasso Sea;
论《藻海无边》对“灰姑娘”原型的解构
2.
Canon Rewriting and Identity Narrating : On Wide Sargasso Sea;
《藻海无边》的身份意识与叙事策略
3.
Different Characterizations of Ms Mason In Jane Eyre and Wide Sargasso Sea;
试论《简爱》与《藻海无边》中的两位梅森
4.
A Reading of Wide Sargasso Sea from the Perspective of Lacan s Mirror Stage and Sexual Relations;
从拉康的镜像理论及性关系观点读《藻海无边》
5.
A Magnificent and Solemn Sad Melody: Analysis of the Symbolic system in Endless Seaweed;
一曲壮美凝重的悲歌——解读《藻海无边》的象征意象
6.
Deconstruction and re-identification in postcolonial context: Interpretation of Wide Sargasso Sea;
后殖民语境中的解构与回归——解读《藻海无边》
7.
A Postcolonial Reading of Wide Sargasso Sea
“属下”的声音——《藻海无边》中的后殖民抵抗话语
8.
The Loss and Reconstruction of Identity in Wide Sargasso Sea and in the Castle of My Skin;
《藻海无边》和《在我皮肤的城堡中》中的身份遗失与建构问题研究
9.
An Analysis of Mirror Images in Wide Sargasso Sea--On Identity of Heroine in Wide Sargasso Sea;
《藻海无边》中镜像技巧的运用——女主人公之身份探讨
10.
Experience of Womanhood in Jane Eyre and Wide Sargasso Sea--The Development of Feminism;
对比《简爱》和《藻海无边》中女主人公的经历——看女权主义的发展变化
11.
The bitter sea has no bounds, repent and the shore is at hand.
苦海无边，回头是岸。
12.
In repentance, there is salvation
苦海无边,回头是岸
13.
the illimitable ocean [ space ]
浩渺无边的海洋[太空]
14.
The sea is the immensity of wretchedness.
海，就是无边的苦难。
15.
Two detection methods of inorganic arsenics in seaweeds
海藻中无机砷两种检测方法适用性的探讨
16.
From then on the hitherto boundless sky and sea seem to have been delimited at this spot.
从此，无边无际的大海，似乎就有了“边”，也有了“界”。
17.
Hester bade little Pearl run down to the margin of the water, and play with the shells and tangled sea-weed, until she should have talked awhile with yonder gatherer of herbs.
海丝特打发小珠儿跑到水边去玩贝壳和缠结的海藻，好让她同那边那采药人谈一会儿话。
18.
Marginal female survival: Who is the madwoman in Jane Eyre?;
边缘女性生存:谁是《简·爱》中的疯女人——《茫茫藻海》的底蕴