1.
Shakespeare s War of Sexes:Much Ado About Nothing(1993);
莎士比亚的性别之战：《无事生非》(1993)
2.
Gender, Race, and Masculinity:Reviewing the Chinese American History before World War II
性别、种族、男性气概:再读二战之前美国本土华人历史
3.
Analysis on the Transforming from the Gender Equality Strategy to Gender Mainstreaming Strategy
浅析从性别平等战略到性别主流战略的转向
4.
We admit that the phenomenon of war is more elusive and is characterized by greater uncertainty than any other social phenomenon, in other words, that it is more a matter of "probability".
我们承认战争现象是较之任何别的社会现象更难捉摸，更少确实性，即更带所谓“盖然性”。
5.
Gender and Education: The Gender Approach to Chinese Education in Singapore and Malaya before World War Ⅱ;
性别与教育:战前新马华文教育的性别分析
6.
a sexual attraction to (or sexual relations with) persons of the same sex.
相同性别人之间的性吸引或性关系。
7.
a sexual attraction to (or sexual relations with) persons of the opposite sex.
不同性别人之间的性吸引或性关系。
8.
On the Word "Heart" in Chu Kingdom and the Study of Heart
论战国楚简从“心”之字与心性之学
9.
Way of Yunnal Tobacco Industry s Brand Strategy after Saying Goodbye to the "Special Tobacco Servicing"and Retailing License;
告别“特零证”后云南烟草业品牌战略之路
10.
Challenge of Globalism: the Analvsis of the Viewing Angle from Society Sex
全球化的挑战:社会性别视角的分析
11.
A deceptive means of getting the better of someone.
计策战胜别人的欺骗性手段
12.
1931-1945: Narration about the War of Resistance against Japan in Gender Field of Vision;
1931—1945:性别视野中的抗战叙事
13.
The old distinction maintained in civilized warfare between the civilian and combatant population disappeared.
文明战争中保持的平民与战斗人员之间的旧差别已经消失。
14.
Sex Paradox--An Analysis of Berdjaev s View of Sex Ethics;
性之悖——别尔嘉耶夫性伦理观浅析
15.
Distinction by contrasting or opposing qualities.
对照之别通过对比或对照性质所作的区别
16.
The Basic Law of Special Administrative District: A Special Law of the Constitution
特别行政区基本法之性质:宪法的特别法
17.
In short, the interagency task force projects the power of grand strategy into the tactical level of war in cities.
简而言之，联合事务特遣队在市民中将重大战略的影响投射到战争的战术级别。
18.
Writers of the School of Self-Expression like a writer's most characteristic paragraph in an essay, his most characteristic sentence in a paragraph, and his most characteristic expression in a sentence.
性灵派所喜文字，于全篇取其最个别之段，于全段取其最个别之句，于造句取其最个别之辞。