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1.
The Development of Practical Aesthetics and Post-practical Aesthetics in Its Debates;
实践美学与后实践美学在论争中发展
2.
Bidding Farewell to the Practice Aesthetics--Comments on the Two Different Development Views of Practice Aesthetics;
告别实践美学——评两种实践美学发展观
3.
On Practical Aesthetics and Post-practical Aesthetics;
实践美学与后实践美学论说之维——《实践美学与后实践美学在论争中发展》读后
4.
Formation of the Idea of Practice and Development of Practical Aesthetics;
从萨特的实践观念看实践美学的发展
5.
New Practice Aesthetics and Marx s Practice Aesthetical Thoughts;
实践美学对马克思实践美学思想的承续
6.
Practice Aesthetics and its Reflection on Modernity;
作为反思现代性的实践美学——驳“实践美学终结论”
7.
Approach to Practical Existential Aesthetics;
走向实践存在论美学——实践美学突破之途初探
8.
From Subjecitvity of Practical Aestheics to Inter-Subjectivity of Post-Practical Aesthetics;
实践美学的主体性到后实践美学的主体间性
9.
Debates between Practice Category and New Practice Aesthetics:A Discussion with Enquirers of New Practice Aesthetics
实践范畴与新实践美学问题三辩——兼与质疑新实践美学者商榷
10.
The Logical Involution of Aesthetics and the Emergence of Practical Aesthetics
美学逻辑的演进与实践美学的崛起
11.
Practice Aesthetics: an Everlasting Flower of Aesthetics;
实践美学:一株历久弥艳的美学奇葩
12.
PRACTICAL AESTHETICS: AN OPENING SYSTEM SURPASSING TRADITIONAL AESTHETICS;
实践美学:超越传统美学的开放体系
13.
The esthetic activity and the pursuit of ultra rationalism;
论审美活动与超理性追求——兼评后实践美学实践美学的超越
14.
The subsantive Characteristics of Tenderness in the View of Practice Aesthetics;
实践美学视野中“柔美”特性与形态
15.
Post-practical philosophy is a handmaid of subjective practical philosophy rather than an independent and profound aesthetic theory.
后期实践美学是主体性实践哲学之附庸 ,而非独立深入的美学理论。
16.
At the same time,the activity aesthetics, which regards activity as the theoretical basis aggrandize the activity action so as not to explain the aesthetics character.
以实践为立足点的实践美学 ,夸大了实践的作用 ,只囿于实践不能揭示审美的特性 ;
17.
Practical Aesthetics is the Aesthetics Which Praises Practice but Depreciate Freedom;
实践美学是抬高实践而贬低自由的美学——答徐碧辉研究员
18.
The Declaration of New Practical Aesthetics--Aremark on The Theory of New Practical Aesthetics by Prof. ZHANG Yu-neng;
实践美学的宣言——评张玉能教授的《新实践美学论》