1.
Shu Ting is one of the key figures who created obscure poems.
舒婷是朦胧诗派的核心人物之一。
2.
The Reconstruction of the Feminine Consciousness--Interpretation to SHU Ting Poems;
女性意识的重新构建——舒婷诗歌解读
3.
The Imagine in the Mirror--One of the explanations of Shuting s "the song to the oak";
镜像之像——对舒婷《致橡树》的一种解读
4.
Discussion on the misty poetry controversy of Shu Ting s poesy criticism;
论“朦胧诗”论争中的舒婷诗歌批评
5.
Awakening of Women s Self-esteem --Interpretation to SHU Ting s To Oak;
女性自尊的觉醒——舒婷的《致橡树》解读
6.
Love Appeal within Tradition: on Love Poems by Shu Ting;
无法超越传统的爱情诉求——解析舒婷爱情诗歌
7.
The Growing - up of Woman s poems;
女性诗歌的崛起——论舒婷诗歌的艺术世界
8.
Understanding of To Oak Trees and Goddess Mountain Peak written by Shu Ting;
女性意识的“破”与“立”——舒婷的《致橡树》、《神女峰》解读
9.
Ideal Trend in Shu Ting’s Poems and Choice of Modern Chinese Poetry;
舒婷诗歌的理想倾向与当代诗歌的选择
10.
The Sublimation of Distress and the Crystal of Tears:On the Creation of Poems by Shu Ting;
痛苦的升华 泪水的结晶——舒婷诗歌创作新论
11.
Space of Accept in Shu Ting's A Poem to the Oak
舒婷《致橡树》意象场景建构的多级接受空间
12.
The Change and Transcendence of Feministic Subjectivity: Comparison On Shu Ting s and Zhai Yongming s Poems;
女性主体的嬗变与超越——舒婷与翟永明的诗歌比较论
13.
On the Taste and Thought in Special Visual Angle--Of Su Ting s Poems To Oaks and Goddess Mount;
独特视角下的审美与思辨——舒婷《致橡树》与《神女峰》简析
14.
A Great Leap from Tradition to Modernity--Comments on the Three Stages of Female Consciousness Development in Su Ting s Work;
从传统到现代的跃进——解读舒婷创作中女性意识发展的三个阶段
15.
Interrogate the Female Fate--Humane Concern Embodied in Shu Ting s Poem Goddess Peak;
女性命运的深切拷问——以《神女峰》为例论舒婷诗的人文关怀
16.
Awakening and publicity of Feminine Self--Review on the Female consciousness in Li Qing zhao and ShuTing s works;
女性自我的觉醒与张扬——论李清照、舒婷创作中的女性意识
17.
Chanting the Elegy in A Calm Voice:A Farewell to the Two -Masted Ship in May --A Discussion on the Poetry Written by Shu Ting in the 1990 s(Together with Some in the 1980 s);
挽歌低吟:作别五月的双桅船——论舒婷90年代(兼及80年代)的诗歌
18.
A Lyric Singer Facing the "Sea" with "Tears" in the Eyes--The value and significance of poems by Shu Ting viewed from the perspective of images;
含“泪”面“海”的抒情歌手——从意象角度看舒婷诗歌的价值和意义