1.
A Brief Study of the Idea of “Yinguo Baoying” in Ancient Chinese Novels and Traditional Operas;
略论中国古代小说和戏曲中的因果报应观念
2.
The Use of Silver in the Novels and Drama from Yuan to Early Ming Dynasties;
文学史料的归纳与解读——元代至明初小说和戏曲中白银的使用
3.
Prefaces of Kyokutebakin s Novels and Li Yu s View on Dramatics-novels;
曲亭马琴读本序跋与李渔戏曲小说论
4.
Study on Evolution of the Legend of Niulang and Zhinv in the Ming Dynasty from the Perspective of Novels and Dramas;
从小说、戏曲看牛女传说在明代的演变
5.
MicroCritique" and "RollingCritique"--JinshengTan s rhetoric methodology in annotating fiction and tradional operas;
“极微”观和“那碾”法——金圣叹评点小说戏曲的修辞方法论
6.
Selecting in Drama Adapted from Novel Source from Qing Dynasty’Liaozhai Drama;
从清代“聊斋戏”看戏曲改编对小说素材的选择性
7.
A Special View to the "Perfect Ending" in Chinese Classic Drama Novels;
中国古典戏曲小说“大团圆现象”管窥
8.
The Significance of Folk Operas in Zhao Shuli s Novel Creation;
民间戏曲在赵树理小说创作中的意义
9.
On Evolvement of "Series of Stratagems" in the Drama Stories;
论“连环计”故事在戏曲小说中的演化
10.
A Comparative Study on the Editions Between the Ancient Novels and Operas;
中国古代小说、戏曲版本之比较研究
11.
Comparative Study on the Appreciation of Chinese Ancient Novels and Traditional Operas;
中国古代小说、戏曲鉴赏之比较研究
12.
Comparison of Aesthetic Characteristic of“Dream of the Red Chamber”TraditionalOpera and Its Novel;
《红楼梦》戏曲与小说美学特征之比较
13.
On the Contribution of Dramas and Novels in Qin Dynasty to the Development of Literary View;
试论清代戏曲、小说对文学史观的贡献
14.
The Characteristics of Jin Sheng-tan s Acceptance Theory of the Commentary on the Novels and Drama;
金圣叹小说戏曲接受理论的基本特色
15.
The Influence of Records of Spirits by GAN Bao on the Novels and Dramas in later Time
干宝《搜神记》对后世小说戏曲的影响
16.
Li Yu's Opera Organizing Theory and His Novel Writing
李渔戏曲结构布局理论与其小说创作
17.
The Image of Swordswomen in the Tales of Marvels in Tang Dynasty and Its Development in the Fictions and Trad. Opera in the Following Periods;
唐代小说侠女形象在后代小说戏曲中的衍变
18.
The Evolution of Han Xiang s Immortal Stories and Its Development in Drama and Novel in YuanMingQing Dynasties;
韩湘仙事演变及其在元明清戏曲小说中的拓展