1.
On“Joining in the Fun on Occasion”and Its Theatrical Concept;
“逢场作戏”蕴涵的人生教训和戏剧观念
2.
Metaphysical Poetry and Human Theatre:Mallarmé's Poetry and Theatre
形而上之诗学和人之戏剧——马拉美诗学与戏剧观
3.
WANG Fu-zhi’s view on history and drama reflected in the zaju opera of Dragon Boat Competition;
从《龙舟会》杂剧看王夫之的历史观与戏剧观
4.
“Affections Producing Dreams and Dreams Producing Play”--On TANG Xian-zu s Theories on Drama;
“因情成梦,因梦成戏”——试论汤显祖的戏剧观
5.
The Art of Rifacimento and Dramatic Sense of Romantic Drama Poem of Plum Blossom;
试论传奇剧《梅花诗》的改编艺术与戏剧观念
6.
Hong Shen Pushes Chinese Film Forward with His Modern Theater Concept;
洪深:以现代戏剧观念推进电影发展
7.
Study on the Written-time and the Drama Concept of Number One Scholar Zhang Xie;
《张协状元》的产生年代及其戏剧观念
8.
On differentiation of Dramatic Ideal in Yuan Dynasty;
元代戏剧观念的创造性分化及其意义
9.
A Critical Reflection on the Debate about the Concept of Drama in the New Period
新时期“戏剧观”论争的反思与批判
10.
Theatre as a "School for the People": A. Grigoriev s Idea of a National Theatre;
“戏剧是人民大众的学校”——格里高里耶夫民族戏剧观评析
11.
On Brecht s Theatrical Creation Ideology;
论德国戏剧家布莱希特的戏剧创作观
12.
participatory theatre
观众参加演出的戏剧
13.
On the Formation of the Objective and Realistic Form of Modern Chinese Theatre;
论中国现代戏剧客观写实戏剧形态的形成
14.
Realism in Drama --Aesthetic View on Drama Starting from the Renaissance;
戏剧的写实主义——由文艺复兴肇始的戏剧美学观
15.
Game,Freedom and the Beauty of Drama--A contrast be S comic theory;
游戏、自由与戏剧美——康德与席勒的喜剧观比较
16.
On the Concept of Hallucination and Theatricality In the History of Theatrical Performance;
戏剧演出史上的幻觉性与剧场性观念
17.
(theater) irony that occurs when the meaning of the situation is understood by the audience but not by the characters in the play.
（戏剧）观众理解而剧中人物不理解的反讽。
18.
From pathos to reunion --On the concept of chinese ancient tragedy;
始于悲情 终于团圆——浅析中国古代戏剧的悲剧观