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1.
Three Concepts in Adorno's Aesthetics:Constellation,Enigma,and Mimesis
星丛、谜语和模仿:阿多诺美学思想的三个命题
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Ugliness, Negation of Reality and Salvation of Humanity
丑:现实的否定和人性的拯救——阿多诺美学思想片谈
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The minimun harmony --On Theodor Weisengrund Adorno s aesthetic thinking;
最低限度的和谐——论阿多诺的美学思想
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On Adorno s Aesthetic;
艺术·否定·社会——论阿多尔诺的美学思想
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In pursuit of profundity or pleasure--The enlightenment of Adorno s aesthetic theory to modern Chinese popular music;
追求深度还是体验快感——阿多诺的美学思想对当代中国流行音乐的启示
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Aesthetics Thoughts on the Adorno s Cultural Industry Theory and the Criticism of Chinese Popular Culture;
关于阿多诺文化工业理论与中国大众文化批评的美学思考
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The Same Critique Theory of Ideology on the Basis of Different Philosophical Theory--Comparison research of Gramsci s and Adorno s philosophical thought;
殊途同归的意识形态批判理论——葛兰西、阿多诺哲学思想之比较研究
8.
A Comparative Study of Marx and Adorno's Dialectics
马克思与阿多诺辩证法思想的比较研究
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A review of research on Adorno s aesthetics in the 1990 s in China;
阿多诺美学:西方文论研究的新亮点——20世纪90年代“阿多诺美学”研究述评
10.
Rebirth and Transcendence of T. W. Adorno s Aesthetics in Post-Modernism Context;
后现代语境下阿多诺美学的复兴与超越
11.
When Siren Encountered Odysseus:on Adorno's Aesthetics of Music
当塞壬遭遇奥德修斯——论阿多诺的音乐美学
12.
Thomas Aquinas and Aesthetic Thoughts of the 20th Century;
托马斯·阿奎那与西方20世纪美学思想
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The Freedom of Appreciating the Beautiful:the Cognitive Meaning of Content and Form-- Adono s Opinion on the Aesthetic Features of Modern Art;
审美自由:内容与形式的认识意义——阿多诺论现代艺术的美学特征
14.
A Reflection on the Pleasant Sensual Enjoyment in Everyday Life Aesthetics--in accordance with Adorno s critical dimension;
对日常生活审美化中快感享受的反思——遵从阿多诺的批判维度
15.
On the Modern Enlightenment of Adorno s Negative Aesthetics and Its Significance for Literary Creation;
阿多诺否定美学的现时观照及其对文艺创作的意义
16.
Recovering the Nature s Charms:On Adorno s Natural Beauty Outlook;
还自然之魅——论阿多诺的自然美观
17.
Aesthetic Dialectics: Jauss s Transcendence over Adorno;
审美的狡黠——姚斯对阿多尔诺的超越
18.
Marxist Mode in Adorno s Philosophy of New Music:A Critique of Production and Ideology;
生产与意识形态批判——析阿多诺新音乐哲学的马克思主义模式