1.
Image and Its Cultural and Implicative Signification of Pang Chun-mei in Jin Ping Mei;
《金瓶梅》中庞春梅形象及文化意蕴
2.
A Distinctive Moral Quality --On the image of Pang Chunmei in Jin Ping Mei;
特立独行的人格——《金瓶梅》中庞春梅形象简论
3.
Aesthetic Value Analysis Upon PANG Chun-mei Abusing Shen the Second Sister;
庞春梅“毁骂申二姐”情节的艺术价值分析
4.
Lending Body to World:Interpreting Eyes and Spirit by Merleau-Ponty;
将身体借给世界——读梅洛-庞蒂《眼与心》
5.
Distinction entre les phénoménologies de Merleau-Ponty et de Husserl.;
论梅洛-庞蒂和胡塞尔现象学的差异
6.
Merleau-Ponty: Why does Sensation Enjoy the Highest Priority;
梅洛-庞蒂:知觉何以具有首要地位
7.
Merleau-Ponty as an Marxist in the West;
作为西方马克思主义者的梅洛-庞蒂
8.
Ponti’s “Body” and the Expressiveness of Paintings;
梅洛—庞蒂的“身体”与绘画艺术的表现性
9.
Twofold Evaluation of Merleau - Ponty s Theory of Intersubjectivity;
梅洛-庞蒂主体间性理论的“双重”视域
10.
Existentialist Marxism" of Merleau - Ponty;
梅洛-庞蒂的“存在主义的马克思主义”
11.
On the Three Ambiguous paths of Merleau - Ponty Philosophy;
论梅洛-庞蒂哲学中的三条岐义性路径
12.
An Inquiry into Merleau-Ponty s Phenomenology and Social Theory;
梅洛-庞蒂的现象学与社会理论研究
13.
Kaelin,Eugene F.:An Existentialist Aesthetic.The Theories of Sartre and Merleau-Ponty.
《一种存在主义美学:沙特和梅劳—庞蒂的学说》
14.
Merleau-Ponty s Perception Theory and Its Dissipation to Consciousness Philosophy;
论梅洛—庞蒂的“知觉”概念对意识哲学的消解
15.
Historical Body:On Merleau-Ponty s theory of "others";
历史的身体——梅洛-庞蒂对他人问题的解答
16.
A New "Stylistics"--Merleau-Ponty s Concept of "Style";
一门崭新的“风格学”——梅洛-庞蒂的“风格”概念
17.
Merleau-Ponty Embodiment Theory and Its Effects to Embodied Cognition;
梅洛-庞蒂的涉身性思想及其认知科学意蕴
18.
DISCUSS THE RELATION OF CéZANNE’S PAINTING AND MERLEAU-PONTY’S THE PERCEPTION THEORY;
论塞尚的绘画与梅洛-庞蒂的知觉理论的关系