1.
On the shaping of the characters in "Strange Stories from a Chinese Studio" through "Si Wen-lang" and "Rouge";
鬼狐有性格,笑骂成文章——从《司文郎》、《胭脂》看《聊斋志异》人物的性格塑造
2.
Studies on the Yelang Kingdom and Ancient Music and Dance;
夜郎、夜郎文化及其古乐舞复原之我见
3.
GUANGDONG STRONG Group Co.,Ltd.--The brands management of STRONG;
广东喜之郎集团有限公司——喜之郎品牌管理
4.
Emcee: OK, bridegroom can hug your wife.
司仪:好了，新郎你可以拥抱你的新娘了。
5.
Hello. This is Ichiro Aoki of X company.
喂，你好。我是x公司的青木一郎。
6.
Shenzhen Langshi Industry Co., Ltd.
深圳市郎氏实业有限公司
7.
Determined to rescue her, Taji killed the priest in doing so.
塔纪为了拯救这个女郎，杀死了老祭司。
8.
We have placed the management of the new branch in the hand of our partner, Mr. S. sato.
兹委本公司股东佐滕三部郎为新公司的经理。
9.
- Koichiro Matsuura, Director-General, UNESCO
- 教科文组织总干事松浦晃一郎
10.
Cultural Legacy of Human Hunting Society--Dulan Muqam;
人类狩猎社会的文化遗存——刀郎木卡姆
11.
On the Flourishment of the Court Attendant Bureau Literature during the Chenghua and Hongzhi Period;
论明代成化、弘治时期郎署文学的兴起
12.
On the Reasons for Taking the Native Place as Source Material in Kenzaburo Oes Literary Creation;
大江健三郎的文学“返乡”原因初探
13.
Observing the Relationship between the palace of the Third Son of Yelang And the Culture of Yelang;
广西和里三王宫和夜郎文化关系探析
14.
Cultural Phenomenon of"Lang Jun"in Nan Yin(South Music)and Its Disseminating Form at Home and Abroad;
南音“郎君”文化现象及海内外传播方式
15.
A Cultural Interpretation of Taboos in the Stories ofYoung Men and Young Women of Snake Incarnation;
蛇郎蛇女故事中禁忌母题的文化解读
16.
On the Literary Value and Influence of the Dong Drama "Zhu Lang Liang Mei"
论侗戏《珠郎娘美》的文学价值及其影响
17.
A Tentative Study on Civilization in Sanshirō
试论《三四郎》中呈现的“文明开化”
18.
The Autochthony of Shibaryotaro's Fiction Koutoryuho
论司马辽太郎小说《项羽与刘邦》中的地域性特征