1.
Nuo Theatre: No Other Choice but Pan-Religious and Marginal Existence;
别无选择的生存:泛宗教、边缘化——池州傩戏的文化内涵
2.
Folk Song's Transmission and Change:Studies of the Two Tunes from the Nuo Opera in Guichi,Anhui Province
从贵池傩戏唱腔《姑嫂行路》和《月子弯弯照九州》看民歌的传播与变迁
3.
The Social Function of Gui Zhou "Nuo" Ritual Theatre in Patriarchal Society;
贵池傩戏对宗族社会的反哺作用探究
4.
A Study on the Original Relation Between The HeFanJi in The GuiChi NuoXi Operas and The Liu WenLong in The NanXi Operas;
贵池傩戏《和番记》与南戏《刘文龙》的亲缘关系
5.
Analysis on the Clan Power Effect over Nuo Opera during Ming and Qing Dynasties;
明清时期宗族势力对贵池傩戏的作用考析
6.
He wants to decorate the study with Nuo opera masks bought in Guizhou province.
他想用这些从贵州买回的傩戏面具装饰书房。
7.
On the Music in Festival Lantern Opera and Nuo Opera in Xiang Xi;
湘西花(花灯戏)傩(傩戏)音乐拾零
8.
Exorcising opera in western Hunan derived from Han nationality, and evolved from exorcising sacrifice, to exorcising ceremony, to exorcising dance and to exorcising opera.
湘西傩堂戏源于中原汉族的傩堂戏,曾经历了傩祭傩仪傩舞傩戏的演变历程。
9.
On the Function of Nuoji and Nuoxi in the Perspective of Contemporary Culture;
当代文化视角下的傩祭与傩戏功能浅析
10.
Nuo Ceremony:From Totem to Opera,Based on the Case Study. Tiger Nuo of Yi nationality in Shuang Bai County,Yunnan Province;
傩仪:从图腾到戏剧——以云南双柏彝族虎傩为个案
11.
A Comparative Study on the Mask of Anshun Dixi Drama and the Folk Nuo Drama
安顺地戏面具与民间傩戏面具之比较
12.
The effects of Taoism on Nuo Opera in southeast Chongqing--Taking incantations for removing masks in Yujia s Nuo Opera at Xiushan as an example;
道教对渝东南傩戏的影响——以秀山余家傩戏面具开光咒语为例
13.
Dramatic Art as Cultural-historical Sediment:--The Origin,Development,and Artistic Substance of the Nuo Opera;
历史文化的积淀——从傩戏的起源和发展探傩戏的本质
14.
On the "Reversion" of Future Dramas to Nuoyuanxi;
试论未来戏曲向傩愿戏等祭祀戏剧的“返祖”
15.
Research on Culturaanges of Nuo Opera from Its Ranges of Performance Space;
从傩戏的表演空间范围看其文化变迁
16.
The Research on the Features of Luoxi Drama of Tujiazu Minority in the East of Guizhou [Ⅱ];
黔东土家族傩堂戏文化特色研究(下)
17.
The Research on the Features of Luoxi Drama of Tujiazu Minority in the East of Guizhou [Ⅰ];
黔东土家族傩堂戏文化特色研究(上)
18.
The Dramatic Prototype s Explanation of the Village Shaman s Trance-dance of Qinghai;
青海河湟“乡人傩”与戏剧的原型思考