1.
On the Creation of Women Images in Puccini s Major Operas;
论普契尼歌剧中的女性人物形象塑造
2.
An Analysis of Pan-Eastern Imagination in Puccini s Opera;
试析普契尼歌剧中的“泛东方想象”
3.
On Performing and Teaching of Puccini s Soprano Arias;
普契尼歌剧中女高音咏叹调的演唱与教学
4.
Pan-Eastern Imagination:Constructing "a Brave New World" in Puccini s Opera;
“泛东方想象”:建构普契尼歌剧中的“美丽新世界”
5.
The Artistic Treatment of Ten Soprano's Arias in Puccini's Operas
普契尼歌剧中十首女高音咏叹调的艺术处理
6.
The Creation of Liu's Artistic Images in Puccini's Opera Turandot
普契尼歌剧《图兰多》中柳儿艺术形象的塑造
7.
On the Puccini Opera "Tosca" in Tosca Shape of Characters
论普契尼歌剧《托斯卡》中托斯卡的人物形象塑造
8.
Looking at art features of Giacomo Puccini's operas from The Career of the Artist
从《艺术家的生涯》看普契尼歌剧的艺术特色
9.
The Tragic Image-Building of Ciociosan in Opera Butterfly Produced by Puccini;
论普契尼歌剧《蝴蝶夫人》中巧巧桑的悲剧形象塑造
10.
Comparison of Lyricism and Theatricality in Verdi's and Puccini's Opera
抒情性和戏剧性在威尔第与普契尼歌剧中的比较
11.
On the Singing of Soprano Aria Based on an Analysis of the Musical Characteristics of Puccini s Operas;
论普契尼歌剧音乐特征之下的女高音咏叹调的演唱
12.
Comparison and Studies of the Singing Style and Skills in Verdi and Puccini s Opera;
威尔第和普契尼歌剧演唱风格及演唱技巧的比较与探究
13.
Chant of Feeling --Putzerne and His operas;
情感的咏叹——普契尼及其歌剧创作
14.
Opera Thosca--a milestone of"realism"artistic creation of Purchey;
歌剧《托斯卡》——普契尼“现实主义”艺术创作的里程碑
15.
The Narrativity and Aria--Taking Roberto Puccini's two opera arias for examples
叙事性与咏叹调——以普契尼两首歌剧咏叹调为例
16.
Opera in three acts by G. Puccini, Libretto by G. Giacosa and L. Illica.
三幕歌剧：Ｇ.普契尼作曲；Ｇ.贾柯查和Ｌ.伊里卡编剧。
17.
Opera in three acts by G. Puccini, Libretto by G. Giacosa and L. Illica. First performance: Milan, 1904.
三幕歌剧:Ｇ.普契尼作曲;Ｇ.贾柯查和Ｌ.伊里卡编剧。首次演出:１９０４年于米兰。
18.
Opera fans and fat cats are descending on Beijing for Zhang Yimou's lavish staging of Puccini's Turandot.
歌剧迷及大款们正莅临北京，只为张艺谋执导的普契尼《图兰多》的隆重登