1.
Education of Chinese Minorities in the Context of Multi-integrated Construction;
多元一体格局下的中国少数民族教育
2.
Structure and Process:Unity of Pluralistic Society & Pluralism to an Organic Whole of Chinese Nation;
结构与过程:中华民族多元一体格局与从多元走向一体
3.
Comment on the Structure of One Central Government with Multi-parts of China from Shizhao Regime;
从“石赵政权”看中华民族的多元一体格局
4.
On Fei Xiaotong s Theory of Unity of Pluralistic Society of Chinese Nation;
费孝通“中华民族多元一体格局”理论之我见
5.
Simple Discussion on the National Identity in theChinese Diverse Integral Structure;
浅析中华民族多元一体格局中的民族认同
6.
On Developing Phases of the Structure of Unity of Chinese Pluralistic Society;
试论中华民族多元一体格局发展的阶段划分
7.
Ancient Chinese Jade Articles and the Integrative Pattern of the Multi-cultures of the Chinese Nation;
中国古代玉器与中华民族多元一体格局
8.
Geographical Conditions and the Varied but Integrated Structure of China s Historical Development;
地理环境与中国历史发展的多元一体格局
9.
On the Nature and Value of the Diversity-Based-on Unification Pattern of Ethnic Cultures
论民族文化多元一体格局的实质与价值
10.
They are utterly different but at the same time integrate with and penetrate into one another.
它们既风格迥异又相互交融、渗透，形成多元一体格局。
11.
On Influence of Geographical Environment on the Pattern of Diversity in Unity of the Chinese Nation;
论地理环境对中华民族多元一体格局形成和发展的影响
12.
The Historical Basis of the Structure of Multiple Integration--Double Angles of View of History and Anthropology;
多元一体格局的历史基建——历史学与人类学的双重视角
13.
On the Relationship between the Historical Development of the Ethnic Groups in Southwest China and the Formation of the Pluralistic Integration of the Chinese Nation;
西南民族的历史发展与中华民族多元一体格局关系述论
14.
The Significance of Maintaining Multiplex-Integrated Language-Using Construction
试论维持“多元一体”语言使用格局的意义
15.
From the Frontier to the Hinterland: China's Pluralistic Variety of Nationalities
从边疆到腹地:中国多元民族的不同类型——兼论“多元一体”格局
16.
The Diversified Setup and General Rend of Philosophy of Science;
科学哲学的多元化格局与整体化趋势
17.
Analyses on the Pluralistic Patterns of Mass Media in Middle and Primary Schools in the Modern Society;
现代社会中的大众媒体多元格局解析
18.
A Preliminary Study of the Changes of Zhengwu Image in the Song,the Yuan and Ming Dynasty;
试论宋、元、明真武图像变迁的“一线多元”格局