1.
HPLC Analysis of Binding Medium of Pigments of Wall-Painting at Kizil Grottoes;
克孜尔石窟壁画胶结材料的HPLC分析
2.
The Fresco of Kizil Caves Represents the Art of Qiuci Grottoes, and the Ornamental is the Main Character of It;
克孜尔石窟壁画之本土化装饰特征研究
3.
Discipline Issues Reflected in the Content of the Kizil Frescos in Xinjiang;
新疆克孜尔石窟壁画内容所反映的戒律问题
4.
The Study of the Music-player and the Band Combining Form of Them in Kizil Grottoes Murals
克孜尔石窟壁画中的伎乐及其乐队组合形式
5.
The Artistic Characteristics of Kizil Rock Cave "Jataka" Frescos and Their Influence on the Rock Cave Frescos of Inland;
克孜尔石窟“本生”壁画的艺术特色及对内地石窟壁画的影响
6.
The Producing Process and Technical Characteristics of Qizil Cave Keepers Fresco;
克孜尔石窟供养人壁画的制作过程和技法特点
7.
The Comparison of Chinese Mineral Paintings of Wei, Jin, North-South Dynasties in the Dunhuang Mogao Grottoes and Kezier Cave
浅议魏晋时期莫高窟与克孜尔石窟岩彩壁画表现的异同
8.
Kizil Influence in the Story Paintings of the Mogao Grottoes;
克孜尔石窟故事画对莫高窟故事画的影响
9.
A study of the style of Kizil wall paintings based on their colouring,portraiture,outlining and lay out;
从敷彩、用线、造型和布局看克孜尔石窟的壁画风格
10.
The Fresco "King Asheshi heard Buddhism nirvana "of the Cave No. 205 in Kezier and "Transformation
克孜尔第205窟《阿?世王闻佛涅??》壁画与“转变”
11.
Buddhist Assimilation of Zoroastrianism Seen from the Murals in Cave 207 of Kizil;
从克孜尔207窟壁画谈佛教对拜火教的融摄
12.
Kizil Grottoes and grottoes in Kuqa
克孜尔石窟及库车境内石窟
13.
Early Research on Kizil Grottoes;
新疆克孜尔石窟早期洞窟研究(下)
14.
No.99 and No.175 Grotto of Kizil Caves--Two Central Tower Grotto Stressed the Ultimate Body of the Buddha
克孜尔石窟99与175窟:两个强调释迦牟尼佛“最后身”的中心柱窟
15.
The Kezir Grottoes of the ancient Qiuci Grottoes in Xinjiang Uygur autonomous Region are the biggest in scale and most intact in preservation.
新疆古龟兹石窟群中规模最大、保存较好的克孜尔石窟，
16.
Application of ~(14)C Data in the Research of the Date of Kizil Grottoes;
克孜尔石窟年代研究和碳十四测定数据的应用
17.
The Ancient Road and Western Scene Full of Colour and Pleasant-Looking;
古道西风 彩韵斑斓——浅议克孜尔的石窟艺术
18.
Micro-Raman Identification of the Wall-painting Pigments in A-Er-Zhai
阿尔寨石窟壁画颜料的拉曼光谱分析