1.
Analysis of Language Application of Non-Subject Case "Zanjia" in TanxiangXing
《檀香刑》非领格“咱家”的语用分析
2.
"Show"--the analysis of the seer s mind in 《Tan Xiang Xing》;
“示众”——小说《檀香刑》中的看客心理分析
3.
The Life Consciousness in Myan s Novel "Sandalwood Penalty";
论莫言小说《檀香刑》中的生命意识
4.
Metaphysics of Watch --From Shizhong to Tanxiangxing;
“看”的形而上学——从《示众》到《檀香刑》
5.
On Shan Xiang Xing;
是大象,还是甲虫?——评《檀香刑》
6.
On Chinese onlooker culture from mo Yan's sandalwood punishment
由莫言的《檀香刑》看中国“看客文化”
7.
The existence and humanity in White Sandalwood Punishment
论莫言小说《檀香刑》中的生存与人性
8.
Solving the Constructing Writing of Criminal Law Culture--Whether Discuss Irony Art of White Sandalwood Punishment;
刑罚文化的解构性抒写——谈《檀香刑》的反讽艺术
9.
Dissecting the Human Nature in the Extreme Scenario-Analyzing Character Zhao Jia in Sandalwood Excruciation;
人性的沦丧——《檀香刑》赵甲形象的文化阐释
10.
Analyses to the Survive of an Official Intellectual for Politics --Sketches of"Tan Xiang Penalty";
一个庙堂知识分子的生存解析——《檀香刑》阅读笔记
11.
On Mo Yan s post-colony tendency--taking Sandalwood Penalty for example;
论莫言小说的后殖民倾向——以《檀香刑》为例
12.
A Symbol of Human Nature’s Evil;
人性恶的象征符号——莫言《檀香刑》中的赵甲解读
13.
Moyan who moving on to the folk --From 《Red sorghum》to《Plump breast and buttocks》、《The sandalwood punishment》;
“走向民间”的莫言——从《红高粱》到《丰乳肥臀》到《檀香刑》
14.
On Narrative Art and Its significance in Tan Xiang Xing;
撤退与进击——试论《檀香刑》的叙事艺术及意义
15.
The Carnivalization Between History and Discourse --Comment on Moyan Novel"Tan Xiang Xing;
历史与话语的狂欢——莫言小说《檀香刑》浅论
16.
Revelry in Folk Drama--Interpreting Tanxiangxing(Sandalwood Punishment)from the Perspective of Ethnology;
民间小戏里的大狂欢——试从民俗学角度解读《檀香刑》
17.
The Distinction Between "Looks" And "Being looked"--Compares The "play-looker" in Lu Xun s novel With Mo Yan s "Sandalwood Penalty";
“看”与“被看”的差异——比较鲁迅小说与莫言《檀香刑》中的“看客”
18.
Mo Yan and the Literary Trend of New Historicism;
莫言与新历史主义文学思潮——以《红高粱家族》、《丰乳肥臀》、《檀香刑》为例