1.
Contextual Differentiation of "24 - rhyme" - A study of the authorship of 24 poems;
“二十四韵”语境别义──《二十四诗品》作者补证
2.
The 24 Styles of Poetry - Model of Excellent Integration of Aesthetics and Buddhism in the Tang Dynasty
《二十四诗品》:唐代美学融摄佛学的垂范
3.
The Confucian Thought about the Harmonization between Tian and human in Twenty-four Grades of Poetry;
《二十四诗品》中的儒家天人合一思想
4.
The Aesthetic Ideas of Savoring 24 Poems and Contemporary Interior Design;
《二十四诗品》美学思想与当代室内设计
5.
Several Problems in the Research of The Twenty-four Poetic Styles;
《二十四诗品》研究存在的几个问题
6.
The Taoist thought about the harmonization between Tian and human in Twenty-four Grades of Poetry;
《二十四诗品》中的道家天人合一思想
7.
On the Image Critical Method Used in Twenty-four Poetic Styles;
略论《二十四诗品》的意象批评模式
8.
On Zen and Artistic Prospect of Si Kongtu s Studies of Twenty-four Poetic Styles;
诗境禅心——司空图《二十四诗品》中的禅与境
9.
A Study of Twenty-four Poems by Si Kongtu and Wang Wei’s Poetic Style;
《二十四诗品》之纤秾、绮丽及其与王维诗风
10.
The Elegance and Freshness in Twenty-four Grades of Poetry and the Connections with Meng Haoran's Poetic Style
《二十四诗品》之典雅、清奇及其与孟浩然诗风
11.
Another Edition of Twenty-four Styles of Poetry--Textual Examination of A Collection of Song Dynasty Rhymed Lines in Appreciation of Poetry in Zhizhisheng s Calligraphy;
《二十四诗品》的另一传本——《枝指生书宋人品诗韵语集》考辨
12.
Comparison Between the Immortal in Zhuang Zi and the Eremites in Twenty-four Poetic Styles;
论《二十四诗品》中的“幽人”与《庄子》中的“真人”
13.
On the Imaginary Criticism in SI Tu-kong s Twenty-four Shi Pin;
司空图《二十四诗品》中的意象批评模式研究
14.
A Discussion of the Author of Twenty-four Grades of Poetry;
答张灿校友问——讨论《二十四诗品》作者问题
15.
A Transcendent System of Aesthetics--Comprehending “Er-shih-ssu shih-p in” through the Phenomenology of Husserl;
超越的美学体系——从胡塞尔现象学看《二十四诗品》
16.
The Birth-time and the Author of Twenty-Four Poetic Styles Determined by its Rhymes;
从《二十四诗品》用韵看它的产生时代与作者
17.
A summary and analysis of arguments about the author of The Twenty-four Moods of Poetry;
司空图《二十四诗品》研究及其作者辨伪综析
18.
A Slight Discussionon the Development of the Artistic Conception Theory--And Discussion on the Features of Artistic Conception Aesthetics of the Poem of Twenty-Four Poetry Style;
略论意境理论的发展过程——兼论《二十四诗品》诗歌意境美学特征