1.
On the succession,protection and development of Guizhou Dushan Huadeng Opera;
贵州独山花灯的保护、传承与发展研究
2.
On Construction and Perfecting the Inheriting System of the Art of Huadeng Opera in Dushan County;
构建和完善独山花灯艺术传承体系——关于独山花灯艺术传承的再思考
3.
The Issue of Nationality and Folk on the Sustainable Development of Regional Flower Lantern--A Starting Point on the Ecological Study of Dushan Flower Lantern;
区域花灯传承发展的民族民间问题——试论独山花灯文化生态研究的切入点
4.
Dynamic characteristics of Tuantuan Dance of Xiushan Festive Lantern and its analysis
秀山花灯“跳团团”舞蹈动态特征及分析
5.
Careful plan before exploiting Xiushan Festival Lantern--Thinking on protecting primitive ecological culture of Ocean Festival Lantern;
秀山花灯品牌开发应慎行——海洋花灯原生态文化保护的思考
6.
The playing of Ocean Festival Lantern and oral warning materials--Regional survey and research into folk-custom culture of Xiushan Festival Lantern;
海洋花灯的“耍灯”与劝世文——秀山花灯民俗文化的区域考察与研究之一
7.
Three kinds of version materials about Shidi Lantern Drama--The second investigation about status quo of Xiushan Lantern Drama;
石堤灯戏的三种文本资料——秀山花灯戏现状调查之二
8.
Contemporary Inheritance of Xiushan Festive Lantern and its Inspiration to Construction of Social Aesthetic Education;
秀山花灯当代传承及其对社会美育建设的启示
9.
Cultural basis of the folk art-Xiushan Festival Lantern and its inheritance and development;
“秀山花灯”民俗艺术的文化底蕴及其传承发展
10.
Culture Brand Development of the Minorities: Xiushan Lantern Village for Example
少数民族的文化品牌开发:秀山“花灯寨”个案
11.
In the long and cold night of this barren hill, villagers went to bed early in order to save the lamp-oil, leaving the lamp of my family the only one still lighted.
荒山寒夜，为节省灯油的山民们很早入睡，唯独我们这一户外来的人家还亮着小油灯。
12.
Analysis of the Symphonic Features of the Piano Solo Flowers are Red;
钢琴独奏曲《山丹丹花开红艳艳》交响性分析
13.
On music characteristic and entertainment function of Xiushan Festival Lantern--On the relationship between Xiushan Festival Lantern and local folk songs;
秀山花灯的音乐特点与娱乐功能——兼及与当地民歌的关系
14.
The Question of "Which Nationality does Xiushan Figure Lantern Drama Belong to"-- A Review of Formality of Festival Celebrations in Tujia Nationality;
秀山花灯的族属问题——土家族节庆礼仪民俗的调查与思考
15.
Dilemma in private management of developing ethnical culture brand--Questionnaire survey and analysis of Xiushan Fancy Lantern Village market
民族文化品牌开发的民营困境——秀山“花灯寨”市场的问卷调查与分析
16.
With only a total of15 detached and semi-detached houses, Clear Water Bay Knoll is only reserved for the most discerning of taste.
清水湾山庄仅建有十五幢独立及半独立式豪华洋房，每户附设有私家花园、台及独立停车位。
17.
A Study on the Cultural Identity of Shan Hai Jing;
再论《山海经》的文化定位:本土或域外——要百家争鸣,还是只要一花独放?
18.
And he made its seven lamps, and its tongs, and its firepans, of pure gold.
23又用纯金作灯台的七个灯盏，并灯台的灯剪和灯花盘。