1.
The Abstraction of the Concrete Drawing And the Concretion of Abstract Drawing;
具象绘画的抽象性与抽象绘画的具象性
2.
On the Feasibility of Representational Painting in Teaching;
论“具象表现性绘画”在教学中的可行性
3.
Concretion and Abstracticn On the maltiplicity of lines in the art of painting;
具象与抽象——论线在绘画艺术中的多重性
4.
On Development of Traditional Realistic Painting in View of Contemporary Western Representational Painting;
从当代西方具象绘画看传统写实绘画的发展
5.
The Idea Has the Elephant and Abstract Painting Works to Express the Comparison of the Characteristic Research in the Spirit;
意象 具象和抽象绘画作品中精神性表达特征的比较研究
6.
The Use of Abstract Factors in Representational Painting;
具象绘画中的抽象因素及其审美意义
7.
Nonrepresentational imagery is not restricted to modem painting but appears also in earlier forms such as aurignacian decorative meanders.
非具象派意象则不仅限于当代绘画，还出现在早期绘画中，如奥瑞纳文化中的装饰性回纹波型。
8.
Explaining the Painting s Abstract and Expression from the Chinese and the Western Paintings;
从中西方绘画中解读绘画的抽象性和表现性
9.
Can, But not the Prerequisite --The Role of the Training of the Representational Painting Before the Teaching of the Imagery Painting;
可以,而非必要——谈意象绘画教学前的具象绘画训练的地位
10.
On Photographing Style of Impressionist Painting--On Effect of Early Photographing Technique on Impressionist Painting
印象派绘画的“摄影性”风格——探究早期摄影术对印象派绘画的影响
11.
Classical Reconstruction - on the Painting Space of Concrete Expressionism;
论具象表现主义绘画的成就及其当代启示
12.
The Significance of the Image Painting Method in College Teaching;
具象表现绘画方法在学院教学中的意义
13.
Methodology Based on the Foundational System of “Modern Concrete Expressional Painting”;
基于“现代具象表现绘画”基础体系的方法论
14.
The Art Moulding of Images in Chinese Traditional Fine Arts;
论中国传统绘画中意象造型的具体方法
15.
Gu Kaizhi, known as the founder of traditional Chinese painting, and his scroll paintings, represented the painting style of the period.
在绘画上，被尊为画祖的顾恺之和他的卷轴画最具有代表性。
16.
Kandinsky and Mondrian's Abstract Art and Its Impact on Painting as an Inspiration
康定斯基和蒙得里安的抽象艺术及其对具象绘画的启示
17.
aBstract painting and sculpture.
抽象派的绘画和雕塑
18.
apotropaic imagery
用以辟邪的抽象绘画