1.
The Abstraction of the Concrete Drawing And the Concretion of Abstract Drawing;
具象绘画的抽象性与抽象绘画的具象性
2.
Explaining the Painting s Abstract and Expression from the Chinese and the Western Paintings;
从中西方绘画中解读绘画的抽象性和表现性
3.
aBstract painting and sculpture.
抽象派的绘画和雕塑
4.
apotropaic imagery
用以辟邪的抽象绘画
5.
Concretion and Abstracticn On the maltiplicity of lines in the art of painting;
具象与抽象——论线在绘画艺术中的多重性
6.
A Sort of Melodious Beauty--On Wassily Kandinsky Abstract Brushwork Art
一种音乐性的美——康定斯基的抽象绘画艺术
7.
Abstract Description as a Technique in Painting;
试论绘画艺术表现手段中的抽象性描述
8.
Discussing the Resemblances between Chinese Calligraphy and Western Modern Abstract Paintings;
试论中国书法与西方现代抽象绘画中的相同性
9.
The Use of Abstract Factors in Representational Painting;
具象绘画中的抽象因素及其审美意义
10.
The Idea Has the Elephant and Abstract Painting Works to Express the Comparison of the Characteristic Research in the Spirit;
意象 具象和抽象绘画作品中精神性表达特征的比较研究
11.
On Abstract Expressionistic Painting and the Reflection of Spirit of the Times;
论抽象表现主义绘画折射的时代精神
12.
Reflected Reality and Reality s Reflection A Tentative Probe into the A bstract Quality of Painting;
反映的现实与现实的反映——浅谈解读绘画艺术的抽象性
13.
The Kindom of Free Association in the Abstract World--On Kandinsky s paintings;
抽象世界里的自由联想王国——论康定斯基的绘画
14.
Comprehensive Material and Abstract Language -On the Forms of Expression in Comprehensive Painting;
综合材料与抽象语言——试论综合绘画的图式表现
15.
Analyzing the Abstractive Color of the Western Modernist Painting;
论西方现代主义绘画(二战前)色彩的抽象化
16.
Knowing White and Guarding Black --On the position of "Black and White" in Chinese modern abstract oil painting by studying Zhao Wu-ji's painting colour
知白守黑——由赵无极绘画色彩看“黑白”在中国现代抽象油画中的地位
17.
Tradition of Nonobjectivism and Traditional Nonobjectivism--on the Nonobjectivism of Chinese Ancient Lacquer Painting;
抽象的传统与传统的抽象——论中国古代漆画的抽象特性
18.
Kandinsky and Mondrian's Abstract Art and Its Impact on Painting as an Inspiration
康定斯基和蒙得里安的抽象艺术及其对具象绘画的启示