1.
The Calling of Humanitarian--A Comment on Humanit arian and Female Consciousness in Mei Niang’ s Fiction
人性的呼唤——梅娘小说的人道主义及女性意识
2.
Aquatic Animal Lurking In the Bottom of Sea--Exploring Feminine Writing in the Enemy-occupied Area from Meiniang s Novels;
潜沉在海底的水族——从梅娘小说看沦陷区的女性写作
3.
A Comparatiue Study of Two hinese Women Writers in 1940s:Mein Nidng and Zhang Ailing;
“南玲北梅”:梅娘与张爱玲小说比较论
4.
On Mei Niang′s Novel Creation in the 1940s;
论20世纪40年代梅娘的小说创作
5.
Calling for Humanity--The Fate of Women in Aquarium Series of Novels of Mei Niang;
人性的呼唤——梅娘水族系列小说笔下女性的命运
6.
Female Conciousness And Female Criticize;
女性关怀与女性批判——梅娘水族系列小说解读
7.
"The little baggage hath witchcraft in her, I profess," said he to Mr. Dimmesdale.
“这小姑娘准是有魔法附体，我敢说，”他对丁梅斯代尔先生说。
8.
The World in Life and The World in Literature--The Traumatic Memory and Meiniang’s Novel Creation;
从经验世界到文学世界——创伤记忆与梅娘的小说创作
9.
"Mason," said the voice. "Miss Mason."
“梅森，"那声音说，"梅森小姐。”
10.
The mean stepmother said to Cinderella,
小气的后妈对灰姑娘说：
11.
After the matchmaker hurriedly departed, the girl exclaimed
媒人走后，小芹跟她娘说：
12.
The fiction in fiction: The relationship between Jinpingmei and other novels;
小说中的“小说”:《金瓶梅》与其他小说关系研究(一)
13.
Fictions of the fiction:The Golden Lotus and other novels
小说中的“小说”:《金瓶梅》与其他小说关系研究(二)
14.
"I am not aweary, mother," replied the little girl.
“我还不累呢，妈妈，”那小姑娘回答说。
15.
"All better now."he kept repealing to the little girl.
“现在全好了。”他向小姑娘重复着说。
16.
The Cinderella Archetypal Narrative of in Zhang Henshui s Romances;
张恨水言情小说中的灰姑娘原型叙事
17.
Change--Infuluence of Alopecurus on Chili s Novels;
变数:论《看麦娘》对池莉小说创作的意义
18.
Without waiting for him to finish, Li immediately drank a toast to Miss Sun.
李梅亭不等他说完，就敬孙小姐酒。