1.
On Preface and Postscript in Yuan Dynasty Opera for Building Opera Theory
论元代戏曲论著序跋在戏曲理论建构中的功用
2.
On Qu Duan;
也论曲端——全祖望《鲒埼亭集·曲端论》读后
3.
The Impact of Literati lyric on Nanbeiqu Melody in Ming and Qing Dynasty;
论明清时期文人曲词对南北曲曲牌定腔的影响
4.
The Theory of Curve Belt Conveyor;
曲线带式输送机曲率半径的理论分析
5.
Prefaces of Kyokutebakin s Novels and Li Yu s View on Dramatics-novels;
曲亭马琴读本序跋与李渔戏曲小说论
6.
Classical Phonological Diagram and Musical Composition of Kunqu;
等韵图在昆曲度曲理论中的运用探析
7.
Wang Jide s Concept on "Qu" and the System of Qulü;
王骥德“曲”观及其《曲律》理论体系
8.
The Practice of the Borderline Song Form in the Works of Fantasia;
试论边缘曲式在幻想曲体裁中的实践
9.
On“Jiqu and the Variational Style of Banshi”in Chinese Opera Singing;
试论戏曲唱腔的“集曲板式变化体”
10.
On the Distinction between Composition and Adaptation in Music Composing;
神似与形似:论歌曲原创与编曲之区别
11.
Ci-Inclined Song and Song-Inclined Ci--On the Popular Ci by Scholars of Song Dynasty;
曲的词化与词的曲化——论宋代文人俗词
12.
On the renaissance of Sanqu in the middle of Ming Dynasty;
论词场才子之曲与明中叶散曲之复兴
13.
On the Research of the Tones of the Nanqu opera and Three Tone Books of the Qing Dynasty
南曲用韵与清三部南曲韵书研究述论
14.
Discussion on style and characteristic of Sanqu in the Whole Sanqu Collection of Ming Dynasty
论《全明散曲》所收散曲的体式及其特征
15.
Reconsiderations of the Features of Traditional Opera;
戏曲特征再认识——质疑《中国大百科全书·戏曲·曲艺》卷概论《中国戏曲》
16.
History of Chinese Classical Dramatic Theory
中国古典戏曲理论史
17.
He says that, to crown the introduction of plane curves, one should study curves on surfaces.
他说，为进一步发展平面曲线论，应该研究曲面上的曲线。
18.
Discussion on the Art of Theatrical TV Play
论戏曲电视剧叙事艺术——兼与舞台戏曲之比较